NoizeFilter is the recording alias of Austin, Texas-based musician Jose Reyes. Having released several prior albums, his latest full-length recording, Floating Consciousness, is arguably his most ambitious and boundary-pushing work thus far. Comprised of eight ambient-electronic compositions spanning just under an hour, Floating Consciousness takes the listener through a mysterious sound-world of seemingly astrophysical and technological environments, wherein one embarks on a fascinating exploration of both matter and consciousness.
“Cryogenic Dreams” opens the album with lushly warm expanses that eventually give way to undulating textures, before cleverly concluding with the haunting toll of a church bell. Often eliciting visual overtones throughout of cyberpunk impressions in a space age setting, the music herein feels simultaneously human yet robotic in a most appealing kind of way.
One of my favorite pieces on the album is the emotively melodic “Kepler’s Journey”, with its floating sequencers and vintage synthesizer elements conveying a sense of search and discovery. Likewise, “Fractal Patterns” is an utterly mesmerizing piece that paints captivating images of enthralling sci-fi strangeness. Characterized by fast-pulsating and spiraling figures, it seemingly imparts a feeling of being lost in space, perhaps while traveling through a time-portal to another dimension. Lastly, “Deep Water” feels enclosed and submerged like a submarine, as liquid swirls and a static-like rhythm guide us to our journey’s end.
Accompanied by beautifully abstract cover artwork that’s every bit intriguing as the music itself, Floating Consciousness seems to occupy a dream state that's equally foreboding as it is alluring. Easily Noizefilter’s most outstanding album to date, fans especially, of experimental yet accessible ambient and sci-fi music are highly encouraged to check it out! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, Bandcamp and iTunes.
Wednesday, October 2, 2019
Monday, September 30, 2019
PGM 238: Deep Skies
An ambient-space mix for dreaming & stargazing under the autumn night sky!
ARTIST – TRACK TITLE – ALBUM TITLE
Off Land – Strange Aerial – Field Tangents
Giuseppe Dio – Jupiter – Space Explorations
Dave Luxton – The Long Rain – After the Epoch
Jim Ottaway – Secrets of the Hidden Stars (radio edit) – Beyond the Purple Sun
Gallery Six – Memories Wind Brought – Wind Colors
Rising Galaxy – Stargazer – Horizons in the Dark
Meg Bowles – Migration at Dusk – Evensong
Jonn Serrie – Goldstone – The Stargazer’s Journey
Jeff Pearce – The Stars Above My Childhood Home (portion) – Skies and Stars
Jos D’Almeida – Sidereus – Aspheres
Thursday, September 26, 2019
Artist Spotlight: An Interview with Jeff Pearce
(Above photo by Jeff Towne)
We’re delighted to present a very special interview with Jeff Pearce. He’s an Indiana based musician who composes beautifully ethereal ambient guitar music, and is one of the pioneers of the ambient guitar style. Jeff has released a gorgeous new album called SKIES AND STARS just in time for some cooler weather here in the northern hemisphere. We’ll be speaking with Jeff about the inspiration behind his new album, as well as look back on his career which spans two-and-a-half decades. So please join us for an insightful conversation as we stargaze with guitars!
Jeff Pearce's music is available at Amazon, Bandcamp and other music retailers.
Monday, September 23, 2019
PGM 237: Into Fall
A deeply chilled mix to convey cooler winds & changing landscapes of autumn!
ARTIST – TRACK TITLE – ALBUM TITLE
Frank Borell – Dreams Come True (Seasons Change Mix) – Autumn Breeze, Vol. 2
David Arkenstone – Darkness Descending – Colors of the Ambient Sky
MTA Lab – Autumn – Autumn
Seaside Bar – Like the Wind (Highway Mix) – Best of Del Mar, Vol. 8
Kitaro – Lord of Wind – Best of Silk Road
Michael Brückner – Waves are Chasing the Wind – 100 Million Miles Under the Stars
Shinpal – Something on Dark Moon – Seven Lives
Isophene – In the Wind – Reverbatory
Nicholas Gunn – Above the Clouds – Riding the Thermals
Friday, September 20, 2019
New Release: Dreamwalkers by Polly Fae
FROM PROJEKT RECORDS:
"Polly Fae (known previously as Paulina Cassidy) returns with quiet bewitchment on her new album of 15 swirling atmospheric pieces straddling the boundaries of ambient and dream pop. Awakened with trance-inducing melodies from the threshold of earthly and galactic realms, Dreamwalkers escorts the listener into a reverie of ghostly tones and enticing chants. It’s ethereal, gossamer and shimmering, evoking in-between times and places.
With sparse electronic instrumentation and Polly’s signature half-whispered soft, sultry vocals drifting from the recess of the subconscious, the tracks sculpt a private universe of floating, silky aesthetic. Polly’s voice is a graceful instrument beneath a wisp of echo and dreams; the fluidly-layered pieces draw the listener into her world of audible art.
Steve Davis, associate producer of HEARTS OF SPACE Radio Program, wrote about her recent album: she creates “….a quiet masterpiece, both earthly and ethereal. Through her music, lyrics and images she guides us through an alluring world that seems strange yet familiar, distant but as close as your heart. The veil of the dreamworld is near; the Eternal Feminine is calling.”
These compositions are love letters for the passionate heart with a desire to drift into worlds unknown. Born of vortex storms and a kiss of stardust, Dreamwalkers unearths hidden aspects of the soul from the depth of dreaming. Float into eternity with a spaceman and run astray into the dark of night with the fawn moon. Enchanting and tranquil, yet shadowy and peculiar, the lullaby-esque songs bring to light an au courant rendering of the nature of reality and its arcane kinship to the celestial-bound dreamer. Rest your head, and open the door to a new reality.
“Dream pop, with a capital D.” – Rock Portaal
We first met Polly with her hypnotic version of ‘Frosty the Snowman’ on Projekt’s 2012 Ornamental holiday sampler. In 2014, we were given Sugar Wingshiver, a full album of whimsical and lushly-textured songs. 2018 brought Drawing up a storm, an album of aqueous melodies, and the beginning of 2019 brought Phantom Gardens, a landscape of lush songs from otherworldly plant life. She returns with Dreamwalkers, a new album of sensuous compositions to transport the listener to another dimensional space."
Released September 13, 2019
"Polly Fae (known previously as Paulina Cassidy) returns with quiet bewitchment on her new album of 15 swirling atmospheric pieces straddling the boundaries of ambient and dream pop. Awakened with trance-inducing melodies from the threshold of earthly and galactic realms, Dreamwalkers escorts the listener into a reverie of ghostly tones and enticing chants. It’s ethereal, gossamer and shimmering, evoking in-between times and places.
With sparse electronic instrumentation and Polly’s signature half-whispered soft, sultry vocals drifting from the recess of the subconscious, the tracks sculpt a private universe of floating, silky aesthetic. Polly’s voice is a graceful instrument beneath a wisp of echo and dreams; the fluidly-layered pieces draw the listener into her world of audible art.
Steve Davis, associate producer of HEARTS OF SPACE Radio Program, wrote about her recent album: she creates “….a quiet masterpiece, both earthly and ethereal. Through her music, lyrics and images she guides us through an alluring world that seems strange yet familiar, distant but as close as your heart. The veil of the dreamworld is near; the Eternal Feminine is calling.”
These compositions are love letters for the passionate heart with a desire to drift into worlds unknown. Born of vortex storms and a kiss of stardust, Dreamwalkers unearths hidden aspects of the soul from the depth of dreaming. Float into eternity with a spaceman and run astray into the dark of night with the fawn moon. Enchanting and tranquil, yet shadowy and peculiar, the lullaby-esque songs bring to light an au courant rendering of the nature of reality and its arcane kinship to the celestial-bound dreamer. Rest your head, and open the door to a new reality.
“Dream pop, with a capital D.” – Rock Portaal
We first met Polly with her hypnotic version of ‘Frosty the Snowman’ on Projekt’s 2012 Ornamental holiday sampler. In 2014, we were given Sugar Wingshiver, a full album of whimsical and lushly-textured songs. 2018 brought Drawing up a storm, an album of aqueous melodies, and the beginning of 2019 brought Phantom Gardens, a landscape of lush songs from otherworldly plant life. She returns with Dreamwalkers, a new album of sensuous compositions to transport the listener to another dimensional space."
Released September 13, 2019
Album Review: Skies and Stars by Jeff Pearce
Indiana-based musician Jeff Pearce has been releasing music since the early 90s, debuting with an album in 1993 called Tenderness and Fatality. He followed up that recording in 1996 with The Hidden Rift, a landmark album that featured what would become Pearce’s unmistakable signature sound of composing ethereal ambient music entirely on electric guitar by applying innovative methods of digital processing, delay effects and layering techniques. Subsequently releasing other significant albums in this pioneering style, including two now-classics, To the Shores of Heaven (Hypnos, 2000) and Bleed (Hypnos, 2002), Pearce earned glowing praise in prominent publications such as Billboard magazine and Allmusic, with the latter naming him “one of the top two electronic guitarists of all time”.
Jeff Pearce would later record a couple of albums on solo Chapman Stick followed by an atmospheric piano album in 2012, until eventually making a stunning comeback on ambient guitar with the release of his 2014 award-winning album With Evening Above. While Pearce’s music has remained in that perfect zone ever since, his latest album, Skies and Stars, which has arrived just in time for the fall season, further expands on the deep sonic immersions of previous compositions like “Downdrift” and “A Long Winter’s Sleep”, as well as those found on his 2001 album The Light Beyond.
Spanning approximately 56-minutes long, Skies and Stars is comprised of three spellbindingly beautiful compositions. The first two tracks are longform excursions while the third cut is a shorter piece. Conceptualized around a theme of stargazing and sky-watching, Skies and Stars begins at twilight dusk with the piece “Evening Clouds”, as metallic, mist-filled swirls seemingly mimic the slow formations of cirrostratus clouds drifting across the sky. The fading incandescence of sunlight has almost disappeared from the horizon, as the composition gradually modifies into various intangible and imaginative shapes along its 28-minute course. Ensuing next at nearly 24-minutes long, “The Stars Above My Childhood Home” is perhaps my personal favorite piece on the album. Stirring a deep sense of mystery, the night sets in with metamorphosing modulations of dreamily Delphic tonalities unveiling a sky full of constellations. Finally, at a standard 4-minutes long, “The Last Bright Lights” guides us through the nocturnal cycle's darkest point into the remainder of the night, as tenebrous tonal formations of fathomless expanses eventually dissolve with the astronomical dawn.
Another gorgeously brilliant album from Jeff Pearce, Skies and Stars seemingly transpires from the perspective of a listener-observer remaining on planet earth while peering out into the cosmos. In that sense, perhaps ‘deep sky’ music is an even more fitting description than ‘deep space’. If you’ve ever seen breathtaking photos of the Bolivian salt flats (or even experienced this wonder for yourself) in which a person is surrounded by the cosmos reflecting their light onto the surface below, listening to this album brought many of those images to mind, as well as that of navigating a ship in the open sea at night with only the stars as a compass.
As a longtime fan of his work for many years now, I highly recommend Skies and Stars to those who love Jeff Pearce’s ambient guitar albums along with any enthusiast of the ambient-space genre! ~Candice Michelle
For more information please visit the artist's website. This album is also available from Bandcamp, Amazon and other music retailers.
Jeff Pearce would later record a couple of albums on solo Chapman Stick followed by an atmospheric piano album in 2012, until eventually making a stunning comeback on ambient guitar with the release of his 2014 award-winning album With Evening Above. While Pearce’s music has remained in that perfect zone ever since, his latest album, Skies and Stars, which has arrived just in time for the fall season, further expands on the deep sonic immersions of previous compositions like “Downdrift” and “A Long Winter’s Sleep”, as well as those found on his 2001 album The Light Beyond.
Spanning approximately 56-minutes long, Skies and Stars is comprised of three spellbindingly beautiful compositions. The first two tracks are longform excursions while the third cut is a shorter piece. Conceptualized around a theme of stargazing and sky-watching, Skies and Stars begins at twilight dusk with the piece “Evening Clouds”, as metallic, mist-filled swirls seemingly mimic the slow formations of cirrostratus clouds drifting across the sky. The fading incandescence of sunlight has almost disappeared from the horizon, as the composition gradually modifies into various intangible and imaginative shapes along its 28-minute course. Ensuing next at nearly 24-minutes long, “The Stars Above My Childhood Home” is perhaps my personal favorite piece on the album. Stirring a deep sense of mystery, the night sets in with metamorphosing modulations of dreamily Delphic tonalities unveiling a sky full of constellations. Finally, at a standard 4-minutes long, “The Last Bright Lights” guides us through the nocturnal cycle's darkest point into the remainder of the night, as tenebrous tonal formations of fathomless expanses eventually dissolve with the astronomical dawn.
Another gorgeously brilliant album from Jeff Pearce, Skies and Stars seemingly transpires from the perspective of a listener-observer remaining on planet earth while peering out into the cosmos. In that sense, perhaps ‘deep sky’ music is an even more fitting description than ‘deep space’. If you’ve ever seen breathtaking photos of the Bolivian salt flats (or even experienced this wonder for yourself) in which a person is surrounded by the cosmos reflecting their light onto the surface below, listening to this album brought many of those images to mind, as well as that of navigating a ship in the open sea at night with only the stars as a compass.
As a longtime fan of his work for many years now, I highly recommend Skies and Stars to those who love Jeff Pearce’s ambient guitar albums along with any enthusiast of the ambient-space genre! ~Candice Michelle
For more information please visit the artist's website. This album is also available from Bandcamp, Amazon and other music retailers.
Thursday, September 19, 2019
Artist Spotlight: An Interview with Mark Dwane
We’re honored to present a very special interview with Mark Dwane who’s just released an album called Martian Apparitions, a sequel of sorts to his 1988 landmark album The Monuments of Mars. Known for his signature brand of ambient symphonic and sci-fi inspired electronica, Mark creates highly imaginative soundworlds using electric guitar synthesis. Likewise, he’s carved out a unique niche with his music, which explores fascinating themes surrounding historical mysteries, ancient mythologies and unexplained phenomena. So please join us for some otherworldly conversation as we investigate the inexplicable!
Music from several Mark Dwane albums can be heard throughout the interview and are available at Amazon. His three most recent albums are also available in Hi-Res digital download from Bandcamp.
Wednesday, September 18, 2019
Album Review: Leaving the Hive by Steve Brand
Returning back to 2016, this year was very busy for Kansan dronescaper Steve Brand, who released several reissues of his older albums in new packaging and two brand new recordings, The Path Of The Heart (May, out on relaxedMachinery) and Leaving The Hive (September, released on Steve's Pioneer Light Music). The first CDr edition of Leaving The Hive, limited to 25 copies, comes in a 5"x7" bi-fold booklet featuring an additional poem card and signed art card. The cover image is stunningly delightful.
Subterranean gossamer flickers and meandering buzz of the bees reveal the title composition, nearly 22 minutes long "Leaving The Hive". The listener is immediately taken into the lushly colorful wild garden, yet surrounded by all mysteries of the natural environment. Then transmuting into calm cascades of longing quietudes, silently peaking vistas and fascinatingly embracing moments of stillness. But intensifyingly mindscaping drone spirals keep on permeating across the mesmerizingly organic stratum. Aural bliss!!! The 20-minute piece, "A Light Spinning In A Valley Somewhere", immerses the ears with a nocturnal symphony, but the stage is quickly stolen by high-pitched twists. Earwarming tranquility is juxtaposed by traversing piquancy, but then hypnotically galloping laid-pack pulses join the scenario, occasionally supported by Miette's meows. And after evanescing through soothingly engulfing contemplative path. Another rewardingly chameleonic composition, a thrilling beauty! The next track, "Simple Things", glides through enigmatically expansive sceneries, where lachrymosely humming blankets commingle with poetic piano glimpses. Ambrosial listening experience awaits here! The closing "Climbing A Mountain That Never Was" gets just over the 22-minute mark. An array of translucently glimmering tinkles persistently interacts with sinuously soaring meridians, balmy natural insignias and intangibly diaphanous hang drum traceries. Meditatively euphonious and intriguingly gratifying conclusion!
74-minute Leaving The Hive is undoubtedly another tour de force recording by Steve Brand, an ambient composer extraordinaire. Leaving The Hive might be a bit more experimental, maybe a bit more unsettling at times, but that's how it reflects the theme about the phenomena of Mother Nature and our presence in it. At the same time, this album is exquisitely transporting, exceptionally profound and significantly guiding with the hallmarking amount of peculiarly authentic mysteries thrown in. A true masterwork indeed!!! And by the way, I am way behind my review schedule, so it's not surprising Steve Brand has released in the meantime a bunch of new albums, for example three chapters of Near Series (all CDrs via Pioneer Light Music during 2017), Spiritual Science 2CD with Ishq (October 2017, reissue) and Near Series: Glow CD (April 2018), both on ...txt recordings or two CD albums on Dutch label Datableom, Upwelling: Emergence (January 2018, a compilation) and Graduated (May 2019). And most recently since August on Pioneer Light Music, the newest Counterintelligence CDr is available. It's quite obvious, all these sonic gems get my highest recommendation!!!
Reviewed by Richard Gürtler (Sep 03, 2019, Bratislava, Slovakia)
Subterranean gossamer flickers and meandering buzz of the bees reveal the title composition, nearly 22 minutes long "Leaving The Hive". The listener is immediately taken into the lushly colorful wild garden, yet surrounded by all mysteries of the natural environment. Then transmuting into calm cascades of longing quietudes, silently peaking vistas and fascinatingly embracing moments of stillness. But intensifyingly mindscaping drone spirals keep on permeating across the mesmerizingly organic stratum. Aural bliss!!! The 20-minute piece, "A Light Spinning In A Valley Somewhere", immerses the ears with a nocturnal symphony, but the stage is quickly stolen by high-pitched twists. Earwarming tranquility is juxtaposed by traversing piquancy, but then hypnotically galloping laid-pack pulses join the scenario, occasionally supported by Miette's meows. And after evanescing through soothingly engulfing contemplative path. Another rewardingly chameleonic composition, a thrilling beauty! The next track, "Simple Things", glides through enigmatically expansive sceneries, where lachrymosely humming blankets commingle with poetic piano glimpses. Ambrosial listening experience awaits here! The closing "Climbing A Mountain That Never Was" gets just over the 22-minute mark. An array of translucently glimmering tinkles persistently interacts with sinuously soaring meridians, balmy natural insignias and intangibly diaphanous hang drum traceries. Meditatively euphonious and intriguingly gratifying conclusion!
74-minute Leaving The Hive is undoubtedly another tour de force recording by Steve Brand, an ambient composer extraordinaire. Leaving The Hive might be a bit more experimental, maybe a bit more unsettling at times, but that's how it reflects the theme about the phenomena of Mother Nature and our presence in it. At the same time, this album is exquisitely transporting, exceptionally profound and significantly guiding with the hallmarking amount of peculiarly authentic mysteries thrown in. A true masterwork indeed!!! And by the way, I am way behind my review schedule, so it's not surprising Steve Brand has released in the meantime a bunch of new albums, for example three chapters of Near Series (all CDrs via Pioneer Light Music during 2017), Spiritual Science 2CD with Ishq (October 2017, reissue) and Near Series: Glow CD (April 2018), both on ...txt recordings or two CD albums on Dutch label Datableom, Upwelling: Emergence (January 2018, a compilation) and Graduated (May 2019). And most recently since August on Pioneer Light Music, the newest Counterintelligence CDr is available. It's quite obvious, all these sonic gems get my highest recommendation!!!
Reviewed by Richard Gürtler (Sep 03, 2019, Bratislava, Slovakia)
New Release: Field Tangents by Off Land
Off Land has just released a gorgeous new album titled Field Tangents, which features sixteen ambient tracks created from environmental field recordings and melodically floating atmospheres. It’s available on multiple digital download formats and limited edition compact disc!
FROM THE PRESS RELEASE:
“Off Land returns with 'Field Tangents', a beatless, seamless, ambient kaleidoscope. 'Field Tangents' combines live performance audio merged with studio sessions to create something that is both unique and familiar. Archived field recordings from various times and locations form a subtle spine, connecting the album's sixteen tracks. Richly melodic and eerily emotive, 'Field Tangents' transports the listener to a prism outside of space and time.
Digital downloads of the album also include the full seamless CD version as a bonus track.”
released August 29, 2019
FROM THE PRESS RELEASE:
“Off Land returns with 'Field Tangents', a beatless, seamless, ambient kaleidoscope. 'Field Tangents' combines live performance audio merged with studio sessions to create something that is both unique and familiar. Archived field recordings from various times and locations form a subtle spine, connecting the album's sixteen tracks. Richly melodic and eerily emotive, 'Field Tangents' transports the listener to a prism outside of space and time.
Digital downloads of the album also include the full seamless CD version as a bonus track.”
released August 29, 2019
Monday, September 16, 2019
PGM 236: Out Late 4
An afterhours mix of late night grooves inspired by urban city life!
ARTIST NAME – TRACK TITLE – ALBUM TITLE
ELEON – Now Boarding – Flight Lounge
Obsqure – November Rain – Oriental Banquet
Stavelot – 6000 Feet – Horizon
Liam Thomas – Vega – Cosmos
Kalabi – Where the Shadows Dance on the Lighted Walls – Support Network
Doug Blair – Dreamtrip – Horizon
Glint – A Fleeting Glance – Estival Arvo
Paul Seling – The Wait – Lo-Fi Memories
Majestica – Kesil’s Light – Auriga to Orion
Thomas Lemmer & Andreas Bach – Decrescent Moon – Night Travellers
Emil Eliav – Autumn 85 – Autumn 85
Kaisaku – The Fascade of a Smiling Face – Aishū
TPOT – Hidden Weasel – Burning Bush
Tuesday, September 10, 2019
New Release: A Clear Horizon by Motionfield
Motionfield is back with a brand-new album titled A Clear Horizon which enthrallingly takes the listener through eight shadowy ambient sound passages. It’s available on multiple digital download formats and limited edition compact disc!
FROM THE PRESS RELEASE:
“A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive” Alfred Hitchcock.
When asked his definition of happiness, Hitchcock’s intimate answer talked about the removal of negative energy and emotions to provide himself with a clear road ahead to allow his creativity to flourish. With his latest release, Petter Friberg challenges us to go beyond what we think are our limits, fully embracing a sense of flow so that both time and space are forgotten, to give us a renewed energy and joy in a more creative purpose and better quality of life.
A Clear Horizon is an exquisite ambient work composed to invoke these feelings and ideas where hypnotic patterns weave around drifting synthscapes, subtle melodies and evolving loops. Let your mind drift and head towards your own clear horizon.
Released August 29, 2019
FROM THE PRESS RELEASE:
“A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive” Alfred Hitchcock.
When asked his definition of happiness, Hitchcock’s intimate answer talked about the removal of negative energy and emotions to provide himself with a clear road ahead to allow his creativity to flourish. With his latest release, Petter Friberg challenges us to go beyond what we think are our limits, fully embracing a sense of flow so that both time and space are forgotten, to give us a renewed energy and joy in a more creative purpose and better quality of life.
A Clear Horizon is an exquisite ambient work composed to invoke these feelings and ideas where hypnotic patterns weave around drifting synthscapes, subtle melodies and evolving loops. Let your mind drift and head towards your own clear horizon.
Released August 29, 2019
Wednesday, September 4, 2019
New Release: The Still Guardian by Matt Borghi & Loneward
Collaborative duo Matt Borghi and Loneward (the latter being the recording project of Mike Carss who also records as Altus) have released an ethereally mesmerizing new album called The Still Guardian, which is comprised of spaciously haunting drone expanses!
FROM THE PRESS RELEASE:
"Seven years have passed since Mike's previous collaborative work. Ambient guitarist Matt Borghi joins Loneward, and they journey together to explore lighter and darker colours, all the while under the watchful gaze of the still guardian."
FROM THE PRESS RELEASE:
"Seven years have passed since Mike's previous collaborative work. Ambient guitarist Matt Borghi joins Loneward, and they journey together to explore lighter and darker colours, all the while under the watchful gaze of the still guardian."
Monday, September 2, 2019
PGM 235: Infinite Dreams 4
A lushly enigmatic, sensual mix to convey a waking dream state!
ARTIST NAME – TRACK TITLE – ALBUM TITLE
Merlin & Argus – Purification – Purification EP
Cinematic – Synthetic Daydreaming (Miles Away Mix) – Autumn Breeze, Vol. 2
Classic Unknwn – Mala – Arkade Destinations Tulum
The Soul Crusaders – I Dream of You – A 1000 Stars
Red Chameleon – In Between – Take You Away
Schiller & Tangerine Dream – Morgenstern Pt. 5 – Morgenstund
Ben Neill – Dream Phase – Triptycal
La Estación Del Mar – Does Someone Remember Fouxi? – Landscapes
Airily – Harmonize (Spring Version) – That’s What I Want
Koala and Xentrix – Infinite Dream – Fahrenheit Project, Part 3
Tangerine Dream – The Dream Is Always the Same (Journeyscapes EXT Vers.) – Risky Business
Friday, August 30, 2019
Top 25 Albums of August 2019
No. | Artist | Title | Listen & Buy |
01 | Fourth Dimension | Ubique | Amazon Bandcamp |
02 | Eguana | Invisible Civilization, Vol. 3 | Amazon Bandcamp |
03 | Shinpal | Seven Lives | Bandcamp |
04 | Hibernation | Ambient Re:Works 01 | Amazon Bandcamp |
05 | Cryounit | Paradox | Amazon Bandcamp |
06 | Desert Dwellers | Breath | Amazon Bandcamp |
07 | Thomas Lemmer & Andreas Bach | Night Travellers | Amazon Bandcamp |
08 | Keith Richie | C/T/F/O | Amazon Bandcamp |
09 | Moai System | Coded Memories | Amazon iTunes |
10 | Jos d'Almeida | Aspheres | Bandcamp |
11 | Confluent Phase | Ad Astra | Amazon Bandcamp |
12 | Giuseppe Dio | Space Explorations | Amazon iTunes |
13 | Crystalline Dream | Seventh Chakra | Amazon Bandcamp |
14 | Forrest Smithson | A Right Use of Will | Amazon iTunes |
15 | Tom Moore & Sherry Finzer | A Journey for Mankind | Amazon Bandcamp |
16 | Eagle | Black Eagle | Bandcamp |
17 | Kaisaku | Aishū | Amazon Bandcamp |
18 | Miles Richmond & Peter Grenader | POV | Amazon Bandcamp |
19 | Ivan Teixeira | ALLAYER Project One | Amazon Bandcamp |
20 | I-One | Forms of Water | Amazon Bandcamp |
21 | Chronos | Israeli Connection 33 | Amazon Bandcamp |
22 | La Estación Del Mar | Costa Cálida Chill, Vol. 5 | Amazon iTunes |
23 | Spinnet | Syzygies | Amazon Bandcamp |
24 | Rising Galaxy | Horizons in the Dark | Amazon Bandcamp |
25 | Stan Dart | Murinsel, Vol 2 | Bandcamp |
Monday, August 26, 2019
The New Age of Vinyl: Dark Entries issues pioneering 80s works by Suzanne Doucet on LP
The renewed and increasing interest in vinyl records over the past few years has spawned the rerelease of many classic albums on the much-beloved format, including gems like this gorgeous limited edition 5-LP New Age boxset I recently received, which includes works that were originally only released on cassette tape.
For those who don’t know, Suzanne Doucet is a German-born artist with a lifelong career in various aspects of the arts and entertainment industry. A former pop star and TV actress who particularly enjoyed success in her native Germany and Switzerland, she would eventually shift her creative focus to more metaphysical pursuits after embarking on what she describes as a spiritual odyssey.
Upon forming her own record label in 1979 called Isis Music, named after an ancient Egyptian goddess whose image is embossed on the boxset cover, Doucet and music collaborator Christian Buehner went on to release their first album together in 1982 titled New Age – Transformation. The inspiration for this recording was born out of an enchanting trip to Findhorn and Iona, Scotland and likewise Glastonbury, England – the intriguing details of which are included in an accompanying full-page booklet. The duo soon followed up in 1983 with New Age – Transmission, while Doucet’s Reflecting Light Vol. I was also released that same year. In 1984, she released both Reflecting Light Vol. II and Brilliance – and with her late husband James Bell appropriately coined the term “Inner Space Music” to describe her innovative sound. This sound – comprised of both electronic synthesizer and acoustic environmental elements – would be shaped largely in part by the parallel emergence of ambient music, as can be heard on hypnotic and spacey tracks like “Transformation” and “Cosmic Consciousness”, which stylistically have much in common with earlier works by Tangerine Dream and Ashra.
Likewise, peacefully melodic and mood-elevating tunes such as “The Neverending Path” and “Love” exemplify a style that would become best-known as New Age Music, which had already been established by pioneering artists like Kitaro, Deuter and Steven Halpern. Although today, several distinct though often overlapping styles of music get lumped under the New Age header – encompassing everything from world fusion, to neoclassical, to contemporary instrumental – the music on these early '80s releases truly embodies the essence of what new age music was originally all about. That is, a musical genre whose creative concepts and idealistic visions emerged from the counterculture of the '60s and the “alternative spirituality” that it promoted, namely, a still popular notion of the dawning of an astrological “Age of Aquarius”. Hence, not surprisingly, the first new age album ever recorded is generally agreed upon to be the 1964 release Music for Zen Meditation by Tony Scott.
These days especially, it may seem like a large swath of music stamped as “new age” lacks a real connection to the genre’s philosophically esoteric roots and creatively experimental mindset, but these prized works by Suzanne Doucet reflect the artistic output of someone who was genuinely immersed in the very subculture that birthed it. Of course, one doesn’t have to be into star charts, ley lines or healing crystals to appreciate this music, nor were the genre’s pioneering artists all necessarily ‘new agers’ themselves. In fact, with the ever-booming spa and wellness industry, millions of people from many different backgrounds have found much to appreciate in a style of music that is widely considered to help reduce stress, boost creativity and promote relaxation. Whether or not you believe in a New Age of Aquarius, one thing for certain is that a new age of vinyl has arrived and is growing in popularity, alongside the even far more surprising resurgence of the cassette format. Personally, I’m excited about the trend and welcome it as a promising sign of the future. In a digital age where interpersonal and tangible connectedness is being ever-reduced and even forgotten, many music lovers are finding themselves longing for a more tactile listening experience. A vinyl record compels you to interact with the physical item and demands more of your undivided attention.
Unlimited music streaming obviously has many perks and conveniences, but also many downsides in terms of the artistic devaluation it promotes, as well as the dramatically decreased monetary return for (especially independent) recording artists, something its very structure entails. However, releasing music on vinyl and other material formats puts actual value on physical media, a bold move in an age where many musicians are constantly pushing Spotify playlists and encouraging potential audiences to stream their music to the exclusion of any other listening format. But the streaming-only model by its very nature cultivates passive listening. One can simply queue up some random playlist and easily tune-out the music while it’s left uninterrupted for 5-plus hours. And if you don’t like a song here and there out of several hundred tracks on a playlist? Simply skip or delete it. But vinyl requires active participation from the listener – pulling the record out of the jacket, placing it on the turntable, and carefully dropping the needle in anticipation for that familiar dropdown sound that mysteriously evokes a feeling of nostalgia for so many. This is, in my view, a much more satisfyingly immersive way to experience music I love – one that has inspired me to search out more vinyl releases of other classics and longtime favorites. It’s not even really a question of sound quality, since the actual experience of listening to music often involves so much more than what's being transmitted via sound waves. That’s why the vast number of music releases have always been accompanied by – and are often mentally inseparable from – their respective cover artwork.
I’d be surprised if Suzanne Doucet ever thought that at a time when her earliest New Age albums were exclusively available on cassette, she’d someday see those treasured works reissued on a format that not only was so integral to the era in which she grew up, but rendered mostly obsolete about 30 years ago. Maybe the LP record, too, has had its Saturn return. ~Candice Michelle
Limited boxset released on Dark Entries. Suzanne Doucet's albums are also available as CD and digital download formats at Amazon and other music retailers.
For those who don’t know, Suzanne Doucet is a German-born artist with a lifelong career in various aspects of the arts and entertainment industry. A former pop star and TV actress who particularly enjoyed success in her native Germany and Switzerland, she would eventually shift her creative focus to more metaphysical pursuits after embarking on what she describes as a spiritual odyssey.
Upon forming her own record label in 1979 called Isis Music, named after an ancient Egyptian goddess whose image is embossed on the boxset cover, Doucet and music collaborator Christian Buehner went on to release their first album together in 1982 titled New Age – Transformation. The inspiration for this recording was born out of an enchanting trip to Findhorn and Iona, Scotland and likewise Glastonbury, England – the intriguing details of which are included in an accompanying full-page booklet. The duo soon followed up in 1983 with New Age – Transmission, while Doucet’s Reflecting Light Vol. I was also released that same year. In 1984, she released both Reflecting Light Vol. II and Brilliance – and with her late husband James Bell appropriately coined the term “Inner Space Music” to describe her innovative sound. This sound – comprised of both electronic synthesizer and acoustic environmental elements – would be shaped largely in part by the parallel emergence of ambient music, as can be heard on hypnotic and spacey tracks like “Transformation” and “Cosmic Consciousness”, which stylistically have much in common with earlier works by Tangerine Dream and Ashra.
Likewise, peacefully melodic and mood-elevating tunes such as “The Neverending Path” and “Love” exemplify a style that would become best-known as New Age Music, which had already been established by pioneering artists like Kitaro, Deuter and Steven Halpern. Although today, several distinct though often overlapping styles of music get lumped under the New Age header – encompassing everything from world fusion, to neoclassical, to contemporary instrumental – the music on these early '80s releases truly embodies the essence of what new age music was originally all about. That is, a musical genre whose creative concepts and idealistic visions emerged from the counterculture of the '60s and the “alternative spirituality” that it promoted, namely, a still popular notion of the dawning of an astrological “Age of Aquarius”. Hence, not surprisingly, the first new age album ever recorded is generally agreed upon to be the 1964 release Music for Zen Meditation by Tony Scott.
These days especially, it may seem like a large swath of music stamped as “new age” lacks a real connection to the genre’s philosophically esoteric roots and creatively experimental mindset, but these prized works by Suzanne Doucet reflect the artistic output of someone who was genuinely immersed in the very subculture that birthed it. Of course, one doesn’t have to be into star charts, ley lines or healing crystals to appreciate this music, nor were the genre’s pioneering artists all necessarily ‘new agers’ themselves. In fact, with the ever-booming spa and wellness industry, millions of people from many different backgrounds have found much to appreciate in a style of music that is widely considered to help reduce stress, boost creativity and promote relaxation. Whether or not you believe in a New Age of Aquarius, one thing for certain is that a new age of vinyl has arrived and is growing in popularity, alongside the even far more surprising resurgence of the cassette format. Personally, I’m excited about the trend and welcome it as a promising sign of the future. In a digital age where interpersonal and tangible connectedness is being ever-reduced and even forgotten, many music lovers are finding themselves longing for a more tactile listening experience. A vinyl record compels you to interact with the physical item and demands more of your undivided attention.
Unlimited music streaming obviously has many perks and conveniences, but also many downsides in terms of the artistic devaluation it promotes, as well as the dramatically decreased monetary return for (especially independent) recording artists, something its very structure entails. However, releasing music on vinyl and other material formats puts actual value on physical media, a bold move in an age where many musicians are constantly pushing Spotify playlists and encouraging potential audiences to stream their music to the exclusion of any other listening format. But the streaming-only model by its very nature cultivates passive listening. One can simply queue up some random playlist and easily tune-out the music while it’s left uninterrupted for 5-plus hours. And if you don’t like a song here and there out of several hundred tracks on a playlist? Simply skip or delete it. But vinyl requires active participation from the listener – pulling the record out of the jacket, placing it on the turntable, and carefully dropping the needle in anticipation for that familiar dropdown sound that mysteriously evokes a feeling of nostalgia for so many. This is, in my view, a much more satisfyingly immersive way to experience music I love – one that has inspired me to search out more vinyl releases of other classics and longtime favorites. It’s not even really a question of sound quality, since the actual experience of listening to music often involves so much more than what's being transmitted via sound waves. That’s why the vast number of music releases have always been accompanied by – and are often mentally inseparable from – their respective cover artwork.
I’d be surprised if Suzanne Doucet ever thought that at a time when her earliest New Age albums were exclusively available on cassette, she’d someday see those treasured works reissued on a format that not only was so integral to the era in which she grew up, but rendered mostly obsolete about 30 years ago. Maybe the LP record, too, has had its Saturn return. ~Candice Michelle
Limited boxset released on Dark Entries. Suzanne Doucet's albums are also available as CD and digital download formats at Amazon and other music retailers.
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