Showing posts with label new age music. Show all posts
Showing posts with label new age music. Show all posts

Thursday, April 22, 2021

Journeyscapes Interviews Lisa Reagan of SHUNIA



On this special Earth Day, we’re delighted to present a lovely conversation with Lisa Reagan of the musical duo Shunia!

Also comprised of singer Suzanne Jackson, Shunia are joined throughout by contributing international musicians and vocalists on their new self-titled sophomore album, which blends mystical mantras and sacred chants with polycultural rhythms and meditatively lush musical arrangements.


Music from Shunia’s latest album Shunia and their previous album Ascend can be heard throughout this interview.

For more information, please visit the artist’s website.

Monday, March 29, 2021

PGM 294: Sacred Visions


A transcendently ethereal and meditative mix for holy week – dedicated to the legacy of the late new age/ambient/space music composer & artistic visionary Constance Demby, who left this plane on March 20th, 2021.

Artist Name / Track Title / Album Title
Constance Demby / St. Francis Prayer / Skies Above Skies
VocaMe / Spiritus Sanctus / Inspiration (Hildegard von Bingen: Lieder und Visionen)
Sherry Finzer / Searching / Renewal
Constance Demby / Deep Mother / Attunement
Steve Roach & Serena Gabriel / Glow of Light / Temple of the Melting Dawn
Mediaeval Baebes / Fatima Prayer / Prayers of the Rosary
Forrest Smithson / Halo Waves / Dieux
Jeff Pearce / Cathedral Light / Archive 1: Songs for the Gathering
Constance Demby / Gateway / Sanctum Sanctuorum
Paul Avgerinos / State of Grace / Healing
Constance Demby / Part 1 - Faces of the Christ / Faces of the Christ

Sunday, January 17, 2021

PGM 289: Northern Lights 7


Another luminous soundscape inspired by the aerial majesty of the aurora borealis!

Artist Name / Track Title / Album Title
Erik Wøllo / Virtual World / Emotional Landscapes [Remastered]
Alpha Wave Movement / Dusk Descending / The Edge of Infinity
Kevin Keller / The Sky Below / The Front Porch of Heaven
Patrick Kelly / Adrift in Time / Beyond the Horizon 2: Mystical World
Jarguna & Uzbazur / Sublimation / Sublimation
Johan Agebjörn / Siberian Train Part II / Mossebo [Remastered]
David Helpling / The Black Rock / Rune
Thierry David / Galactic Bliss / Stellar Connection
Jeff Pearce / A Surrounding / Archive 1: Songs for the Gathering

Tuesday, September 1, 2020

Album Review: Tranquility II: Mind & Soul by Ambiscend

Darren Rogers is a Texas-based electronic music composer who released his first solo album in 1997. He later formed a duo called Orion’s Belt with the late ambient/electronic musician and acclaimed music reviewer Jim Brenholts, as well as lent production and keyboard talents to a couple of albums by guitarist Vance Sheaks. Further releasing several solo albums and singles since, Rogers’ latest full-length recording, Tranquility II: Mind and Soul, was released under the project name Ambiscend and is the sequel to 2018's Tranquility. Comprised of seven compositions spanning just over an hour, Tranquility II is a mesmerizing display of oceanic-infused soundscapes that are accentuated with celestial and cinematic touches.

Previously released as a single, “First Christmas Snow” opens the album with minimalist classical sensibilities of subtle poignancy, making it perfectly suited to a wintry film score. Soothing ocean waves introduce the next piece, “The Calling of the Sea”, which follows with gentle whale-song amid shimmering tonal mists. Like much of the album, its evocative of marine life and underwater kingdoms, often bearing reminiscence to some of the environmental-themed albums that Medwyn Goodall releases on his label by artists like Midori, Paul Sills and Wychazel.

Additionally, twinkling star effects descend upon mysterious passages like “And the Stars Reflection Upon the Ocean” and “Gaze to the Stars”, while the watery “Moonlight Serenity” atmospherically captures our glowing lunar companion’s glistening reflection.

On both “Beyond the Horizon” and the final piece, “The Soul’s Calling”, ethereal vocal intonations seemingly transmit that of a siren calling from beneath the waves. Featuring also the solemn touch of Armenian duduk, the hauntingly beautiful closer paints a solitary scene of sailing through a sea fog.

A remarkably resplendent album from Darren Rogers – and possibly his best to date, Tranquility II: Mind and Soul conveys an enchantingly serene sonic journey throughout that will appeal to stargazers and seafarers alike! ~Candice Michelle



Available at Amazon and Bandcamp.

Tuesday, August 25, 2020

Album Review: Liquid Mind XIII: Mindfulness by Liquid Mind

Liquid Mind is the successful longtime recording project of veteran musician Chuck Wild, whose music career of more than 40 years boasts some noteworthy accolades and highlights. Prominent among these includes his keyboardist days with the 80s-rock band Missing Persons (alongside bassist and latter-day ambient musician Patrick O’Hearn) as well as studio work with Michael Jackson in the 90s. However, the introspective musical sphere that Wild occupies as Liquid Mind, which saw its inception with the album Animus Minimus in 1994, is a notable contrast to the more bustling pop-rock world that he formerly immersed himself in. Having released sixteen Liquid Mind albums to date, Wild’s peaceful music has garnered a well-earned listener following with his works being especially popular in the spa, massage and wellness industries.

Titled Liquid Mind XIII: Mindfulness, Wild’s latest album is named for what could be deemed the most popular new age trend to arise over the last few years. However, for the dedicated mindfulness enthusiasts out there, as well as those less familiar with what the practice entails, it’s worth noting that Liquid Mind has long been a leading mindful music trendsetter by crafting harmonious sounds which are intended to promote many of the same purported benefits that mindfulness exercises strive to achieve.

Spanning just over an hour, the album features a total of six soothingly serene soundscapes comprised of slowly-shifting and oscillating major-key chord progressions, which mostly occupy the mid-to-high range. Continually unfolding throughout in a gradually ascending motion, silken chords with softened edges smoothly transition from one to the next. Given that the compositional structure is all ‘release’ and no ‘tension’, there aren't any elements of surprise along the way, which allows for the listener to simply achieve an uninterruptedly passive state of mind. Overall, it’s a listening experience which could be figuratively compared to that of floating like a cloud in the lotus position without pause, nor a tangible destination in mind.

Without getting too bogged down in genre categorization, I’ve always perceived this kind of music to be an emblematic representation of the new age genre, which I intuitively distinguish from the often overlapping yet nonetheless distinct ambient genre. Specifically, Mindfulness is positivity-minded, pure relaxation music that feels like receiving a mental massage or aromatherapy for the ears. And though as a listener I do tend to gravitate towards moodier atmospheres that convey some suspense and tensity, likewise, as someone coming from the perspective of having worked in the spa industry, I’ve found this type of music to be perfectly suited to that environment with its oft-reported therapeutic effect on both clients and holistic practitioners! ~Candice Michelle

Available at Amazon and other musical retail & streaming platforms. For more information, please visit the artist's website.

Monday, August 17, 2020

Album Review: Celtic Fairy Dream by 2002

Originally comprised of husband and wife duo Randy and Pamela Copus, multiple award-winning and Billboard charting phenomenon 2002 debuted on the music scene nearly three decades ago with their album Wings (1992). Progressively evolving over the years to incorporate more lyrical and tangible melodies into their definable 'neoclassical new age' sound, more structured songs would eventually become a mainstay when the couple’s then-adolescent daughter Sarah Copus was officially recruited as 2002's third member and lead singer in 2014 for their landmark album Trail of Dreams.

A thematic sequel to Celtic Fairy Lullaby (2016) and follow-up to A World Away (2018), the band’s latest release, Celtic Fairy Dream, serendipitously parallels the maturing artistry of Sarah Copus, with her angelic lullabies once again shining in the incandescent glow of celestially sailing soundscapes. Comprised of cinematic orchestral and synthesizer arrangements, listeners are treated to the lulling sounds of harp, flute, guitar and additional multi-layered vocals throughout. Included are several renditions of traditional Irish and Welsh songs in signature 2002 fashion, as the musical sojourner is spirited away to another time and place where ancient lore and mythic beauty comes to life.



Of particular noteworthiness is “The Green Fields of Autumn (Coinleach Glas an Fhomhair)”, a traditional Irish song popularized by the legendary Irish band Clannad. Although both renditions are equally exquisite, 2002 contrasts Clannad’s mainly acoustic and earthier version with one that's more ethereal and shimmering.

My absolute favorite piece on the album is “David of the White Rock (Dafydd y Garreg Wen)”, a solemn 18th-century Welsh musical air and folk song. With the harp central to its poetically lyrical theme, 2002's gorgeous rendition aptly showcases the enchanting instrument, while the soundscape simultaneously exudes both a monastic and romantic atmosphere. Visions of majestic castles and mythical lands emerge from its velvety mists, as Sarah imparts a haunting melody in the beautiful Welsh language.



Another stunning offering from 2002, every composition herein magically unfolds like the turning of sparkling pages of a fairytale picture book. Sure to be embraced by many adults and children alike, Celtic Fairy Dream is another must-have album for fans of Celtic, ethereal and fantasy music in the spirit of Enya, Clannad and Loreena McKennitt! ~Candice Michelle

Available at Amazon and other music retail & streaming platforms. For more information, please visit the artist's website

Monday, August 10, 2020

PGM 271: Dharmic Odyssey 2


Another meditative mix of Eastern-inspired ambient mystique!

Artist Name / Track Title / Album Title
Madhavi Devi / Jade Breeze / The Truth of Being
Ragani / Protection (Ganesha Gayatri) / Light of Savitri
Mark Seelig / Raga Ayahausa / The Disciple’s Path
Jarguna & Henrik Meierkord / Älva / Tapestry Flow
Yuval Ron / Equanimity (Upekkha) / Four Divine States of Mind
Howard Givens & Craig Padilla / Prana / The Bodhi Mantra


Monday, May 18, 2020

PGM 261: Avalonian Mists 3


Another enchantingly ethereal soundscape inspired by Arthurian legends!

Artist Name / Track Title / Album Title
Robert A. Wolf / Avalonia / Pangea
2002 / David of the White Rock / Celtic Fairy Dream
Rémi Orts Project / Woodland / Reign of the Forest
Eurielle / Rescue Me / Arcadia
Amethystium / Hymnody / Aphelion
Michael Whalen / The Inbetween / Sacred Spaces
Steve Gordon & Deborah Martin / Earth Dweller / Ancient Power
Medwyn Goodall / The Sorcerer’s Daughter / The Sorcerer’s Daughter
Peter Sterling / Pool of Love / Sanctuary of Light
Clannad / Who Knows (where the time goes) / In A Lifetime
Age of Echoes / Beyond the Farthest Shore / Beyond the Farthest Shore

Sunday, April 5, 2020

PGM 256: Water Retreat


A deeply tranquil and regenerating sound-bath evocative of watery places!

Artist Name / Track Title / Album Title
I-One / Water Springs / Forms of Water
Ishq / Alaya / Natural Born Chillers
Forrest Fang / Microna / Gongland
Noizefilter / Waters Edge / Ambient Road
Suzanne Doucet & Chuck Plaisance / Zen Garden (excerpt) / As It Is Now
Heartistry / Mysterious Alchemy / Inner Sanctum
Sherry Finzer / Ancient Roots / Transcendence
Ambiscend / The Soul’s Calling / Tranquility II: Mind and Soul
Acheloo / Remembrance / Debris of Nostalgia
Paul Adams & Elizabeth Geyer / Evening / Deeper Imaginings

Tuesday, December 10, 2019

EP Review: Merry Christmas by Giuseppe Dio

Giuseppe Dio is an Italian electronic music composer who’s explored everything from deep space to dream house on his previous recordings. This time around, he eases comfortably into the holiday spirit with a lovely 24-minute EP that’s simply titled Merry Christmas. Rendering six compositions on electronic synthesizers, Dio has selected a very fitting collection of songs that all beautifully complement one another.

Processional drums, soaring synths and celestial vocal tones majestically open “Adeste Fideles” (aka “O Come All ye Faithful”) which is eventually followed up by the much beloved “Auld Lang Syne”. Vividly conjuring images of decorated cathedral halls and colorful Christmas lights, Dio’s symphonic electronic arrangements pleasantly recalls much of Vangelis’ more cinematically oriented works.

I was most delighted to see a rendition of Franz Schubert’s iconic “Ave Maria” included here, as I’ve always found it to be one of the most beautiful pieces of religious music ever written. Dio puts an epically cosmic and wintery spin on the composition, all while perfectly preserving the sacred reverence of the original masterpiece.

Another highlight is the nocturnally peaceful “O Tannenbaum” (aka “Oh Christmas Tree”) which wraps the lead melody in spacious notes and twinkling stars, effectively conveying a cold winter’s night.

Call it “new age Christmas music” if you like. Either way, this fantastic little collection of cinematic cosmic carols is easily one of the most enjoyable holiday listens of the season! ~Candice Michelle


For more information, please visit the artist's website. This EP is also available on Amazon, iTunes and other retail and streaming platforms.

Sunday, November 3, 2019

PGM 243: Mythic Twilight 4


An ethereal autumn mix inspired by magic, myth and fantasy!

ARTIST – TRACK TITLE – ALBUM TITLE
Blue Stone – ConfessionBreathe
Mythos – AllureEros
Sofa Sweeper – Romeo Is Dreaming (Slow Motion Mix)Autumn Breeze, Vol. 3
Douglas Blue Feather – Shaman’s BlessingAscension
Amethystium – DreamdanceOdonata
Rémi Orts Project – Reign of the ForestPeaceful Moments: Reign of the Forest
Llewellyn – The White LadyGhosts
Giuseppe Dio – The WoodlandImaginary Flights
Guy Sweens – Full MoonMoon Magic
2002 – Finding YouA World Away
Chris Conway – Fly On ForeverFlute Dreamer

Monday, August 26, 2019

The New Age of Vinyl: Dark Entries issues pioneering 80s works by Suzanne Doucet on LP

The renewed and increasing interest in vinyl records over the past few years has spawned the rerelease of many classic albums on the much-beloved format, including gems like this gorgeous limited edition 5-LP New Age boxset I recently received, which includes works that were originally only released on cassette tape.

For those who don’t know, Suzanne Doucet is a German-born artist with a lifelong career in various aspects of the arts and entertainment industry. A former pop star and TV actress who particularly enjoyed success in her native Germany and Switzerland, she would eventually shift her creative focus to more metaphysical pursuits after embarking on what she describes as a spiritual odyssey.

Upon forming her own record label in 1979 called Isis Music, named after an ancient Egyptian goddess whose image is embossed on the boxset cover, Doucet and music collaborator Christian Buehner went on to release their first album together in 1982 titled New Age – Transformation. The inspiration for this recording was born out of an enchanting trip to Findhorn and Iona, Scotland and likewise Glastonbury, England – the intriguing details of which are included in an accompanying full-page booklet. The duo soon followed up in 1983 with New Age – Transmission, while Doucet’s Reflecting Light Vol. I was also released that same year. In 1984, she released both Reflecting Light Vol. II and Brilliance – and with her late husband James Bell appropriately coined the term “Inner Space Music” to describe her innovative sound. This sound – comprised of both electronic synthesizer and acoustic environmental elements – would be shaped largely in part by the parallel emergence of ambient music, as can be heard on hypnotic and spacey tracks like “Transformation” and “Cosmic Consciousness”, which stylistically have much in common with earlier works by Tangerine Dream and Ashra.

Likewise, peacefully melodic and mood-elevating tunes such as “The Neverending Path” and “Love” exemplify a style that would become best-known as New Age Music, which had already been established by pioneering artists like Kitaro, Deuter and Steven Halpern. Although today, several distinct though often overlapping styles of music get lumped under the New Age header – encompassing everything from world fusion, to neoclassical, to contemporary instrumental – the music on these early '80s releases truly embodies the essence of what new age music was originally all about. That is, a musical genre whose creative concepts and idealistic visions emerged from the counterculture of the '60s and the “alternative spirituality” that it promoted, namely, a still popular notion of the dawning of an astrological “Age of Aquarius”. Hence, not surprisingly, the first new age album ever recorded is generally agreed upon to be the 1964 release Music for Zen Meditation by Tony Scott.

These days especially, it may seem like a large swath of music stamped as “new age” lacks a real connection to the genre’s philosophically esoteric roots and creatively experimental mindset, but these prized works by Suzanne Doucet reflect the artistic output of someone who was genuinely immersed in the very subculture that birthed it. Of course, one doesn’t have to be into star charts, ley lines or healing crystals to appreciate this music, nor were the genre’s pioneering artists all necessarily ‘new agers’ themselves. In fact, with the ever-booming spa and wellness industry, millions of people from many different backgrounds have found much to appreciate in a style of music that is widely considered to help reduce stress, boost creativity and promote relaxation. Whether or not you believe in a New Age of Aquarius, one thing for certain is that a new age of vinyl has arrived and is growing in popularity, alongside the even far more surprising resurgence of the cassette format. Personally, I’m excited about the trend and welcome it as a promising sign of the future. In a digital age where interpersonal and tangible connectedness is being ever-reduced and even forgotten, many music lovers are finding themselves longing for a more tactile listening experience. A vinyl record compels you to interact with the physical item and demands more of your undivided attention.

Unlimited music streaming obviously has many perks and conveniences, but also many downsides in terms of the artistic devaluation it promotes, as well as the dramatically decreased monetary return for (especially independent) recording artists, something its very structure entails. However, releasing music on vinyl and other material formats puts actual value on physical media, a bold move in an age where many musicians are constantly pushing Spotify playlists and encouraging potential audiences to stream their music to the exclusion of any other listening format. But the streaming-only model by its very nature cultivates passive listening. One can simply queue up some random playlist and easily tune-out the music while it’s left uninterrupted for 5-plus hours. And if you don’t like a song here and there out of several hundred tracks on a playlist? Simply skip or delete it. But vinyl requires active participation from the listener – pulling the record out of the jacket, placing it on the turntable, and carefully dropping the needle in anticipation for that familiar dropdown sound that mysteriously evokes a feeling of nostalgia for so many. This is, in my view, a much more satisfyingly immersive way to experience music I love – one that has inspired me to search out more vinyl releases of other classics and longtime favorites. It’s not even really a question of sound quality, since the actual experience of listening to music often involves so much more than what's being transmitted via sound waves. That’s why the vast number of music releases have always been accompanied by – and are often mentally inseparable from – their respective cover artwork.

I’d be surprised if Suzanne Doucet ever thought that at a time when her earliest New Age albums were exclusively available on cassette, she’d someday see those treasured works reissued on a format that not only was so integral to the era in which she grew up, but rendered mostly obsolete about 30 years ago. Maybe the LP record, too, has had its Saturn return. ~Candice Michelle

Limited boxset released on Dark Entries. Suzanne Doucet's albums are also available as CD and digital download formats at Amazon and other music retailers.

Tuesday, June 4, 2019

An Interview with Monica Williams at the Heart Dance Records Summit


Here’s an interview with flutist Monica Williams that was conducted earlier this year at the Heart Dance Records Summit in Phoenix, Arizona. In this segment, we highlight her stunning debut album, Journey of Tears, which mesmerizingly weaves classical, world and Native American-style flutes among hauntingly beautiful soundscapes.

Music from the album Journey of Tears can be heard throughout this interview.

Tuesday, April 30, 2019

An Interview with ANAAMALY at the Heart Dance Records Summit


Here’s an interview with Phil Strickland who records as ANAAMALY, which was conducted at the recent Heart Dance Records Summit in Phoenix, AZ. Although Phil originally started out as a composer of hip-hop and other beat-driven styles of electronic music, he began shifting his focus to creating experimental ambient soundscapes after being inspired through meditation and yoga practices.

Music from ANAAMALY’s albums Fields of Light, Urban Metta, Vol. 2 and Urban Metta, Vol. 1 can be heard throughout this interview.

Friday, December 21, 2018


We’re delighted to present an audio interview with the band 2002, which is comprised of family trio Randy and Pamela Copus along with their daughter Sarah Copus, who is a more recent addition to the lineup. Often described as ‘neoclassical new age’ music, 2002 integrates Celtic harp, ethereal vocals and cinematic orchestration into their enchanting soundscapes. We’ll be discussing their brand new album entitled A World Away as well as highlight Sarah Copus’ recent debut solo album called Moorland Winds. So please tune-in for some conversation, music and a glimpse into A World Away!

Friday, November 30, 2018

Artist Spotlight: An Interview with Al Jewer & Andy Mitran


We’re excited to present an audio interview with Chicago-based recording duo and multi-instrumentalists Al Jewer & Andy Mitran. They’ve just released an album called Perihelion, which features collaborations with several notable musicians in the new age, world and contemporary instrumental genres. We’ll discuss the inspiration behind the album’s concept and metaphorical connection to its astronomical title, as well as play some music and touch on their past releases. So please tune-in for some conversation, fun and a musical journey around the sun!

Thursday, November 8, 2018

Artist Spotlight: An Interview with Sherry Finzer


We’re excited to debut our first audio interview with renowned flutist, composer and Heart Dance Records label founder, Sherry Finzer. A versatile musician who currently resides in Anthem, Arizona, she’s released several solo and collaborative albums, with her signature style spanning ambient, world, new age and contemporary instrumental musical genres. In this enjoyable segment, we’ll learn more about Sherry Finzer, as we delve into her musical background, discuss current projects and various collaborations, as well as play some of her music!

Sherry Finzer's music is available at Amazon, Bandcamp and other music retailers.

Thursday, October 18, 2018

Album Review: A World Away by 2002

2002 began as the husband/wife duo of Randy and Pamela Copus who released their widely successful debut album Wings in 1992. Initially making their mark on the scene with a traditionally ‘new age’ style in the vein of Herb Ernst or Liquid Mind, the band gradually evolved over the years to adopt more symphonic and neoclassical signatures, such as on their notable 2000 release River of Stars, which employed classical strings and wordless ethereal vocal layers reminiscent of Enya. Evolving ever still, 2002 started incorporating gentle progressive rock elements (as heard on their 2012 album Believe) with Randy’s lyrical-vocal style impressively recalling that of Jon Anderson’s. By the time their 2014 album Trail of Dreams rolled around, Randy and Pamela’s daughter Sarah Copus had joined the line-up as lead vocalist, officially becoming the band’s third member. Comprised of ten alluring compositions, 2002’s latest album entitled A World Away is themed around a cosmic love story of kindred spirits traveling together among different worlds and time periods, becoming lost along the way until eventually reuniting, as if the music were playing out like the soundtrack to a fantasy romance novel. Together the trio not only provide vocals, but play a variety of Celtic, classical and acoustic instruments plus keyboards/synthesizers.

From the opening piece “Dream of Life” the listener is seemingly swept up on a magical night-flight guided by the song’s choral-pop vocal arrangement, which is feathered among a richly cinematic soundscape likewise mirrored on other compositions such as “Butterfly”, “Stars and Moon” and “Strings of Your Heart”. One of my favorite pieces is “Finding You”, which unfolds like a Celtic lullaby with its tender harp and gentle guitar. Randy’s progressive rock influences are especially noted on “To Live Again”, which he beautifully sings to a gentle arrangement of piano and symphony. “Memory of Tomorrow” is perhaps the ultimate highlight for me; the most haunting piece on the album due to its mysterious, minor key affections along the way, it enchantingly lulls the listener into a dreamlike haze.



Collectively, the lyrical vocal portions on this album are somewhat reminiscent of the male/female ‘new age’ music duo Llewellyn of whom I’m also a longtime fan. Additionally, the gorgeous CD booklet includes the songs’ inspiringly romantic and celestially poetic lyrics accompanied by stunning fantasy-nature artwork. Overall sweet and sparkling yet rich in depth, A World Away is, unsurprisingly, another top-notch album from 2002 that will likely appeal to fans of Enya, Llewellyn and Jon Anderson, as well as lovers of Celtic, ethereal and fantasy music! ~Candice Michelle

Available at Amazon and other music retail & streaming platforms. For more information please visit the artist's website.

Monday, June 18, 2018

Album Review: Tranquility by Ambiscend

Ambiscend is the recording alias of Texas-based electronic music composer Darren Rogers, who’s previously released several albums ranging from ambient-space to new age. Comprised of five compositions spanning approximately eight to ten minutes each, Darren’s latest album, titled Tranquility, occupies a serene sweet-spot between the two styles, as subtly melodic synthesized textures are enhanced throughout by field recordings of ocean waves and nocturnal forest environments.

The album opens with the aptly-named and beautiful piece, “Time of Tranquility”, which is characterized by subtle major-key transitions comprised of metallic shimmers that seemingly evoke a blue sky streaked by cirrostratus clouds. Spanning a little under ten minutes, the composition is slightly reminiscent of the music of Deuter or Liquid Mind, as accompanying sounds of glassy chimes and singing birds enhance its lulling atmospheric tranquility. “Floating Enchantment” follows along a similar path with slowly-shifting synthesized tones, although this time accompanied by the nocturnal sounds of chirping crickets and gentle ocean waves that aptly convey a scenic nightfall. The tantalizing and mysterious, “Earth Sings its Song”, is easily my favorite – clocking in at ten minutes even. Here, shimmering swells and rolling waves allude to an underwater paradise that pleasantly reminds me of music from the album Journey to Atlantis by Kevin Kendle and Llewellyn. “The Night is Calling” continues with cascading waters washing upon glistening tones – until finally concluding with “Earth’s Bedtime”, on which chirping crickets return to the dreamy accompaniment of celestial chords and sparsely-spaced wind chimes.

An essential relaxation album, Tranquility would make a perfect aural accompaniment to massage, healing baths or other spa therapies, and easily joins the ranks of other top-notch contemporaries in the field! ~Candice Michelle



Available at Amazon and Bandcamp.

Tuesday, December 5, 2017

Album Review: Urban Metta, Vol. 2 by Anaamaly

Urban Metta, Vol. 2 is the anticipated second installment in the Urban Metta series by electronic music composer Phil Strickland, who records under the project name of Anaamaly. Comprised of eleven compositions spanning nearly 70 minutes, this album, like its predecessor, was conceived with the intent of inducing blissful states of relaxation, and is likewise well-suited for massage, mediation and yoga practices. Stylistically part ambient and part “new age”, each composition is titled after a positive affirmation that all begin with “I”. Although on its surface this notion may strike some listeners as being a bit too typically “woo-woo”, Phil’s extensive background in the chill-out, downtempo and instrumental hip-hop genres effectively help to keep these compositions firmly anchored in compositional depth and delightfully free of excessive syrup. Filled with churning textures, humming chords and organic/environmental samples throughout, the compositions mostly adhere to similar sound patterns, with each possessing individual nuanced attributes.

“I Am Ready to Forgive” introduces the album with billowing tones, swishing chimes and ethereal synthesizer washes – immediately signaling an immersive experience that defines the rest of the compositions. Following next is “I Am Inspired by Possibility” – one of my favorite pieces on the album. Here an oscillating and slowly-shifting drone underscores a beautifully drifting aquatic synth melody. The ensuing “I Am a Co-Creator” is also a notable highlight; weaving softly melodic bell-tones and the sound of running water into a mesmerizing soundscape, it feels like a rejuvenating bath or spa experience.

Another noteworthy composition is “I Give My Truth” with its heavy fog of synthesizers that seemingly convey a transparent veil of luminously streaming colors. “I Affirm All That is Good” is easily the album’s most mysterious and spacey passage, as well as perhaps my personal favorite of the lot. Comprised of synthesized vocal textures that shift along a hypnotic chord sequence, the piece effectively elicits images of a vast cosmic expanse. “I Have All That I Need (Album Version)” perfectly wraps things up in a blanketing gossamer haze, from which a more overtly shiny keyboard melody beautifully emerges.

An excellent follow-up to volume one, listening to Urban Metta, Vol. 2 feels like entering the idyllic repose of a tranquil Zen Garden. Serving as the perfect soundscape for eliciting a calmer, quieter state of being, listeners who enjoyed Anaamaly’s first album are sure to find this one to be equally rewarding! ~Candice Michelle

Available from Amazon, Bandcamp and other music retailer & streaming platforms.