Monday, September 2, 2019
PGM 235: Infinite Dreams 4
A lushly enigmatic, sensual mix to convey a waking dream state!
ARTIST NAME – TRACK TITLE – ALBUM TITLE
Merlin & Argus – Purification – Purification EP
Cinematic – Synthetic Daydreaming (Miles Away Mix) – Autumn Breeze, Vol. 2
Classic Unknwn – Mala – Arkade Destinations Tulum
The Soul Crusaders – I Dream of You – A 1000 Stars
Red Chameleon – In Between – Take You Away
Schiller & Tangerine Dream – Morgenstern Pt. 5 – Morgenstund
Ben Neill – Dream Phase – Triptycal
La Estación Del Mar – Does Someone Remember Fouxi? – Landscapes
Airily – Harmonize (Spring Version) – That’s What I Want
Koala and Xentrix – Infinite Dream – Fahrenheit Project, Part 3
Tangerine Dream – The Dream Is Always the Same (Journeyscapes EXT Vers.) – Risky Business
Friday, August 30, 2019
Top 25 Albums of August 2019
No. | Artist | Title | Listen & Buy |
01 | Fourth Dimension | Ubique | Amazon Bandcamp |
02 | Eguana | Invisible Civilization, Vol. 3 | Amazon Bandcamp |
03 | Shinpal | Seven Lives | Bandcamp |
04 | Hibernation | Ambient Re:Works 01 | Amazon Bandcamp |
05 | Cryounit | Paradox | Amazon Bandcamp |
06 | Desert Dwellers | Breath | Amazon Bandcamp |
07 | Thomas Lemmer & Andreas Bach | Night Travellers | Amazon Bandcamp |
08 | Keith Richie | C/T/F/O | Amazon Bandcamp |
09 | Moai System | Coded Memories | Amazon iTunes |
10 | Jos d'Almeida | Aspheres | Bandcamp |
11 | Confluent Phase | Ad Astra | Amazon Bandcamp |
12 | Giuseppe Dio | Space Explorations | Amazon iTunes |
13 | Crystalline Dream | Seventh Chakra | Amazon Bandcamp |
14 | Forrest Smithson | A Right Use of Will | Amazon iTunes |
15 | Tom Moore & Sherry Finzer | A Journey for Mankind | Amazon Bandcamp |
16 | Eagle | Black Eagle | Bandcamp |
17 | Kaisaku | Aishū | Amazon Bandcamp |
18 | Miles Richmond & Peter Grenader | POV | Amazon Bandcamp |
19 | Ivan Teixeira | ALLAYER Project One | Amazon Bandcamp |
20 | I-One | Forms of Water | Amazon Bandcamp |
21 | Chronos | Israeli Connection 33 | Amazon Bandcamp |
22 | La Estación Del Mar | Costa Cálida Chill, Vol. 5 | Amazon iTunes |
23 | Spinnet | Syzygies | Amazon Bandcamp |
24 | Rising Galaxy | Horizons in the Dark | Amazon Bandcamp |
25 | Stan Dart | Murinsel, Vol 2 | Bandcamp |
Monday, August 26, 2019
The New Age of Vinyl: Dark Entries issues pioneering 80s works by Suzanne Doucet on LP
The renewed and increasing interest in vinyl records over the past few years has spawned the rerelease of many classic albums on the much-beloved format, including gems like this gorgeous limited edition 5-LP New Age boxset I recently received, which includes works that were originally only released on cassette tape.
For those who don’t know, Suzanne Doucet is a German-born artist with a lifelong career in various aspects of the arts and entertainment industry. A former pop star and TV actress who particularly enjoyed success in her native Germany and Switzerland, she would eventually shift her creative focus to more metaphysical pursuits after embarking on what she describes as a spiritual odyssey.
Upon forming her own record label in 1979 called Isis Music, named after an ancient Egyptian goddess whose image is embossed on the boxset cover, Doucet and music collaborator Christian Buehner went on to release their first album together in 1982 titled New Age – Transformation. The inspiration for this recording was born out of an enchanting trip to Findhorn and Iona, Scotland and likewise Glastonbury, England – the intriguing details of which are included in an accompanying full-page booklet. The duo soon followed up in 1983 with New Age – Transmission, while Doucet’s Reflecting Light Vol. I was also released that same year. In 1984, she released both Reflecting Light Vol. II and Brilliance – and with her late husband James Bell appropriately coined the term “Inner Space Music” to describe her innovative sound. This sound – comprised of both electronic synthesizer and acoustic environmental elements – would be shaped largely in part by the parallel emergence of ambient music, as can be heard on hypnotic and spacey tracks like “Transformation” and “Cosmic Consciousness”, which stylistically have much in common with earlier works by Tangerine Dream and Ashra.
Likewise, peacefully melodic and mood-elevating tunes such as “The Neverending Path” and “Love” exemplify a style that would become best-known as New Age Music, which had already been established by pioneering artists like Kitaro, Deuter and Steven Halpern. Although today, several distinct though often overlapping styles of music get lumped under the New Age header – encompassing everything from world fusion, to neoclassical, to contemporary instrumental – the music on these early '80s releases truly embodies the essence of what new age music was originally all about. That is, a musical genre whose creative concepts and idealistic visions emerged from the counterculture of the '60s and the “alternative spirituality” that it promoted, namely, a still popular notion of the dawning of an astrological “Age of Aquarius”. Hence, not surprisingly, the first new age album ever recorded is generally agreed upon to be the 1964 release Music for Zen Meditation by Tony Scott.
These days especially, it may seem like a large swath of music stamped as “new age” lacks a real connection to the genre’s philosophically esoteric roots and creatively experimental mindset, but these prized works by Suzanne Doucet reflect the artistic output of someone who was genuinely immersed in the very subculture that birthed it. Of course, one doesn’t have to be into star charts, ley lines or healing crystals to appreciate this music, nor were the genre’s pioneering artists all necessarily ‘new agers’ themselves. In fact, with the ever-booming spa and wellness industry, millions of people from many different backgrounds have found much to appreciate in a style of music that is widely considered to help reduce stress, boost creativity and promote relaxation. Whether or not you believe in a New Age of Aquarius, one thing for certain is that a new age of vinyl has arrived and is growing in popularity, alongside the even far more surprising resurgence of the cassette format. Personally, I’m excited about the trend and welcome it as a promising sign of the future. In a digital age where interpersonal and tangible connectedness is being ever-reduced and even forgotten, many music lovers are finding themselves longing for a more tactile listening experience. A vinyl record compels you to interact with the physical item and demands more of your undivided attention.
Unlimited music streaming obviously has many perks and conveniences, but also many downsides in terms of the artistic devaluation it promotes, as well as the dramatically decreased monetary return for (especially independent) recording artists, something its very structure entails. However, releasing music on vinyl and other material formats puts actual value on physical media, a bold move in an age where many musicians are constantly pushing Spotify playlists and encouraging potential audiences to stream their music to the exclusion of any other listening format. But the streaming-only model by its very nature cultivates passive listening. One can simply queue up some random playlist and easily tune-out the music while it’s left uninterrupted for 5-plus hours. And if you don’t like a song here and there out of several hundred tracks on a playlist? Simply skip or delete it. But vinyl requires active participation from the listener – pulling the record out of the jacket, placing it on the turntable, and carefully dropping the needle in anticipation for that familiar dropdown sound that mysteriously evokes a feeling of nostalgia for so many. This is, in my view, a much more satisfyingly immersive way to experience music I love – one that has inspired me to search out more vinyl releases of other classics and longtime favorites. It’s not even really a question of sound quality, since the actual experience of listening to music often involves so much more than what's being transmitted via sound waves. That’s why the vast number of music releases have always been accompanied by – and are often mentally inseparable from – their respective cover artwork.
I’d be surprised if Suzanne Doucet ever thought that at a time when her earliest New Age albums were exclusively available on cassette, she’d someday see those treasured works reissued on a format that not only was so integral to the era in which she grew up, but rendered mostly obsolete about 30 years ago. Maybe the LP record, too, has had its Saturn return. ~Candice Michelle
Limited boxset released on Dark Entries. Suzanne Doucet's albums are also available as CD and digital download formats at Amazon and other music retailers.
For those who don’t know, Suzanne Doucet is a German-born artist with a lifelong career in various aspects of the arts and entertainment industry. A former pop star and TV actress who particularly enjoyed success in her native Germany and Switzerland, she would eventually shift her creative focus to more metaphysical pursuits after embarking on what she describes as a spiritual odyssey.
Upon forming her own record label in 1979 called Isis Music, named after an ancient Egyptian goddess whose image is embossed on the boxset cover, Doucet and music collaborator Christian Buehner went on to release their first album together in 1982 titled New Age – Transformation. The inspiration for this recording was born out of an enchanting trip to Findhorn and Iona, Scotland and likewise Glastonbury, England – the intriguing details of which are included in an accompanying full-page booklet. The duo soon followed up in 1983 with New Age – Transmission, while Doucet’s Reflecting Light Vol. I was also released that same year. In 1984, she released both Reflecting Light Vol. II and Brilliance – and with her late husband James Bell appropriately coined the term “Inner Space Music” to describe her innovative sound. This sound – comprised of both electronic synthesizer and acoustic environmental elements – would be shaped largely in part by the parallel emergence of ambient music, as can be heard on hypnotic and spacey tracks like “Transformation” and “Cosmic Consciousness”, which stylistically have much in common with earlier works by Tangerine Dream and Ashra.
Likewise, peacefully melodic and mood-elevating tunes such as “The Neverending Path” and “Love” exemplify a style that would become best-known as New Age Music, which had already been established by pioneering artists like Kitaro, Deuter and Steven Halpern. Although today, several distinct though often overlapping styles of music get lumped under the New Age header – encompassing everything from world fusion, to neoclassical, to contemporary instrumental – the music on these early '80s releases truly embodies the essence of what new age music was originally all about. That is, a musical genre whose creative concepts and idealistic visions emerged from the counterculture of the '60s and the “alternative spirituality” that it promoted, namely, a still popular notion of the dawning of an astrological “Age of Aquarius”. Hence, not surprisingly, the first new age album ever recorded is generally agreed upon to be the 1964 release Music for Zen Meditation by Tony Scott.
These days especially, it may seem like a large swath of music stamped as “new age” lacks a real connection to the genre’s philosophically esoteric roots and creatively experimental mindset, but these prized works by Suzanne Doucet reflect the artistic output of someone who was genuinely immersed in the very subculture that birthed it. Of course, one doesn’t have to be into star charts, ley lines or healing crystals to appreciate this music, nor were the genre’s pioneering artists all necessarily ‘new agers’ themselves. In fact, with the ever-booming spa and wellness industry, millions of people from many different backgrounds have found much to appreciate in a style of music that is widely considered to help reduce stress, boost creativity and promote relaxation. Whether or not you believe in a New Age of Aquarius, one thing for certain is that a new age of vinyl has arrived and is growing in popularity, alongside the even far more surprising resurgence of the cassette format. Personally, I’m excited about the trend and welcome it as a promising sign of the future. In a digital age where interpersonal and tangible connectedness is being ever-reduced and even forgotten, many music lovers are finding themselves longing for a more tactile listening experience. A vinyl record compels you to interact with the physical item and demands more of your undivided attention.
Unlimited music streaming obviously has many perks and conveniences, but also many downsides in terms of the artistic devaluation it promotes, as well as the dramatically decreased monetary return for (especially independent) recording artists, something its very structure entails. However, releasing music on vinyl and other material formats puts actual value on physical media, a bold move in an age where many musicians are constantly pushing Spotify playlists and encouraging potential audiences to stream their music to the exclusion of any other listening format. But the streaming-only model by its very nature cultivates passive listening. One can simply queue up some random playlist and easily tune-out the music while it’s left uninterrupted for 5-plus hours. And if you don’t like a song here and there out of several hundred tracks on a playlist? Simply skip or delete it. But vinyl requires active participation from the listener – pulling the record out of the jacket, placing it on the turntable, and carefully dropping the needle in anticipation for that familiar dropdown sound that mysteriously evokes a feeling of nostalgia for so many. This is, in my view, a much more satisfyingly immersive way to experience music I love – one that has inspired me to search out more vinyl releases of other classics and longtime favorites. It’s not even really a question of sound quality, since the actual experience of listening to music often involves so much more than what's being transmitted via sound waves. That’s why the vast number of music releases have always been accompanied by – and are often mentally inseparable from – their respective cover artwork.
I’d be surprised if Suzanne Doucet ever thought that at a time when her earliest New Age albums were exclusively available on cassette, she’d someday see those treasured works reissued on a format that not only was so integral to the era in which she grew up, but rendered mostly obsolete about 30 years ago. Maybe the LP record, too, has had its Saturn return. ~Candice Michelle
Limited boxset released on Dark Entries. Suzanne Doucet's albums are also available as CD and digital download formats at Amazon and other music retailers.
Friday, July 26, 2019
An Interview with Will Clipman at the Heart Dance Records Summit
We’re honored to present a special interview with world percussionist Will Clipman to beautifully wrap-up the series of interviews we conducted at the Heart Dance Records summit in Phoenix, Arizona earlier this year. A seven-time Grammy Award nominee and three-time Native American Music Award winner, Clipman’s numerous recordings have included collaborations with fellow musical legends R. Carlos Nakai, Gary Stroutsos, William Eaton and Robert Tree Cody. Renowned for his distinctive polyrhythms that draw from a pan-global percussive palette, Clipman’s signature sound often traverses the musical boundaries of ethnic fusion, tribal-ambient and even Acoustic Americana, such as on the recent Trialogue album, which he recorded with flutist Sherry Finzer and guitarist Darin Mahoney.
Music from the albums Pathfinder, Sacred Clay, Awakening the Fire, Heart of the Wind, Trialogue, Dancing into Silence, People of Peace, and Feather, Stone and Light can be heard throughout this interview.
Friday, July 12, 2019
An Interview with Tom Moore at the Heart Dance Records Summit
We’re delighted to present an interview with multi-instrumentalist Tom Moore who composes tribal-ambient and electronic space music, which was conducted earlier this year at the Heart Dance Records Summit in Phoenix, Arizona. He’s put out some amazing collaborations with flutist Sherry Finzer, including their just-released Sound Currents and upcoming A Journey for Mankind albums.
Music from the albums Whispers from Silence, Let There Be Light, Sound Currents and A Journey for Mankind can be heard throughout this interview.
Tuesday, June 4, 2019
An Interview with Monica Williams at the Heart Dance Records Summit
Here’s an interview with flutist Monica Williams that was conducted earlier this year at the Heart Dance Records Summit in Phoenix, Arizona. In this segment, we highlight her stunning debut album, Journey of Tears, which mesmerizingly weaves classical, world and Native American-style flutes among hauntingly beautiful soundscapes.
Music from the album Journey of Tears can be heard throughout this interview.
Friday, May 3, 2019
Album Overview: Toward the Horizon by Craig Padilla & Marvin Allen
Toward
the Horizon is the collaborative debut album by electronic music veteran
Craig Padilla and electric guitar wizard Marvin Allen. Beautifully sculpted from
analog and digital synthesizers and featuring classic Berlin School sequencing,
these retro-futuristic sound passages are further illuminated by soulfully
stratospheric guitar figures immersed in shimmering multi-tonalities.
Alternating throughout between electrified rhythmic patterns and free-floating
cosmic expanses, Toward the Horizon is a mesmerizing masterwork of
otherworldly time-traveling dreamscapes! ~Candice Michelle
Available at Amazon and other retail and streaming platforms.
Available at Amazon and other retail and streaming platforms.
Tuesday, April 30, 2019
An Interview with ANAAMALY at the Heart Dance Records Summit
Here’s an interview with Phil Strickland who records as ANAAMALY, which was conducted at the recent Heart Dance Records Summit in Phoenix, AZ. Although Phil originally started out as a composer of hip-hop and other beat-driven styles of electronic music, he began shifting his focus to creating experimental ambient soundscapes after being inspired through meditation and yoga practices.
Music from ANAAMALY’s albums Fields of Light, Urban Metta, Vol. 2 and Urban Metta, Vol. 1 can be heard throughout this interview.
Saturday, April 27, 2019
Album Overview: Sound Currents by Tom Moore & Sherry Finzer
Sound Currents is the third collaborative release by multi-instrumentalist Tom Moore and flutist Sherry Finzer. Weaving electronic sequencer patterns among earthy shamanic soundscapes, the album seemingly evokes a sensuous intangible mystery and the unlocking of ancient secrets conveyed by the compositions’ deeply resonating atmospheres, which enshroud exotically meditative flute melodies throughout. Easily the duo’s most impressively stunning collaboration to date, Sound Currents is surely destined to be among this year’s favorite albums! ~Candice Michelle
Available at Amazon, Bandcamp, iTunes and other retail & streaming platforms.
Available at Amazon, Bandcamp, iTunes and other retail & streaming platforms.
Wednesday, April 24, 2019
An Interview with Cass Anawaty & Doug Blair at the Heart Dance Records Summit
Here's an interview with electronic music composer, guitarist and producer Cass Anawaty (who is one-half of the duo Majestica) and guitarist Doug Blair, which was conducted at the recent Heart Dance Records Summit in Phoenix, Arizona. In this segment, we talk about some of the current projects Cass has worked on, particularly in the ambient/chill/downtempo realm, including the latest Majestica release, along with Doug’s trippy new album titled Horizon.
Music from the albums Auriga to Orion and In the Midst of Stars by Majestica, as well as Horizon by Doug Blair, can be heard throughout this interview.
Tuesday, February 19, 2019
Artist Spotlight: An Interview with Nicholas Gunn
We’re honored to present an audio interview with the legendary Nicholas Gunn, where we’ll be discussing his new album entitled Riding the Thermals. He initially rose to prominence in the early 1990’s with his unique brand of Southwest American-flavored world music and landmark albums like The Sacred Fire and Music of the Grand Canyon. He later founded Gemini Sun Records which released notable works by other trailblazing artists such as David Arkenstone and Johannes Linstead.
More recently, Nicholas Gunn signed with the dance music label giant Armada Music as his trance music act name Limelght. Released under his own name, his latest album, Riding the Thermals, is a sultry chill-out offering of ambient trance music. So please tune-in for some insightful conversation and a taste of musical paradise!
Tuesday, February 12, 2019
PGM 214: LOVE POTION 2
A sensual brew of lush ambient & downtempo chill.
No. ARTIST – TRACK
01. Bryan Milton – Only You in My Heart
02. Mythos – Eros
03. Tristeria – I Love You (Dimitra)
04. Lab’s Cloud – A Kiss is the Best Medicine
05. Craig Padilla – Lost in You
06. Gold Lounge – Sahara Mon Amour (2018 Re-Work)
07. Moonlik – Alone with You
08. Charlie Roscoe – Open Heart
09. Thomas Lemmer & Andreas Bach – Embracing Love
10. ELEON – Will Your Heart Dance With Mine
11. Nicholas Gunn – I’ll Always (feat. Alina Renae)
Saturday, February 2, 2019
Album Review: Lonely Satellite by Lena Natalia
Lena Natalia is a Chicago-based pianist and composer who initially captured my attention a couple of years ago with her second album entitled Rendezvous in Paris (and follow-up to her debut release, Sundays in Paris). What especially drew me to Lena’s music was her unique brand of ambient-piano and classical minimalism that intriguingly sets her apart from a plethora of comparatively more “contemporary” and “new age” defined piano albums that I’ve heard over the past few years. Comprised of 15 compositions spanning 42 minutes – with all but one piece clocking in at under 4 minutes – Lena’s latest album titled Lonely Satellite further expounds on the subtle direction of last year’s release, Almost Home, with its uniquely processed effects applied to her piano. Utterly transforming Lena's otherwise solo instrumental pieces into duskily atmospheric, multi-tonal soundscapes, I find her compositions deeply affecting and often wistful with an air of reminiscent longing.
From the opening piece, “Ballerina at Night”, we’re met with an instantly memorable melody and Lena’s now-familiar style of interlocking piano figures. One of my favorites, “Munich Train 7H04”, is a shining example of Lena’s ability to imbue her compositions with a sense of haunting nostalgia. Here, as with other pieces, she achieves that by applying an echoing, reverberating effect and underlying rhythmic pulse. On “Lonely Satellite”, mellifluously cascading piano notes seemingly fall all around like raindrops onto an encircling puddle of water – making this an exemplary classical ambient piece of supreme beauty and coy elegance.
Overall keeping in line with a more minimalistic approach, Lena’s music isn’t noted by particularly overt crescendos or musical peaks throughout. Rather, her generally understated yet undeniably intricate compositions tend to beguilingly shimmer like filtered light beneath a watery surface. A musical genius in the realm of modern piano music, I expect Lena Natalia’s star will continue to rise ever-further in its sky! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, Bandcamp and other retail & streaming platforms.
From the opening piece, “Ballerina at Night”, we’re met with an instantly memorable melody and Lena’s now-familiar style of interlocking piano figures. One of my favorites, “Munich Train 7H04”, is a shining example of Lena’s ability to imbue her compositions with a sense of haunting nostalgia. Here, as with other pieces, she achieves that by applying an echoing, reverberating effect and underlying rhythmic pulse. On “Lonely Satellite”, mellifluously cascading piano notes seemingly fall all around like raindrops onto an encircling puddle of water – making this an exemplary classical ambient piece of supreme beauty and coy elegance.
Overall keeping in line with a more minimalistic approach, Lena’s music isn’t noted by particularly overt crescendos or musical peaks throughout. Rather, her generally understated yet undeniably intricate compositions tend to beguilingly shimmer like filtered light beneath a watery surface. A musical genius in the realm of modern piano music, I expect Lena Natalia’s star will continue to rise ever-further in its sky! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, Bandcamp and other retail & streaming platforms.
Tuesday, January 29, 2019
Album Review: Perihelion by Al Jewer & Andy Mitran
Al Jewer and Andy Mitran are a supremely talented multi-instrumental duo who’ve released a handful albums over the past several years. Having first heard their incredible music via their 2011 landmark album Music of the Earth, I’ve not only followed their work ever since, but have enjoyed witnessing both the musical evolution and stylistic progression over the course of their artistic careers. Likewise, I recently had the pleasure of interviewing Jewer and Mitran, as they shared deeper insight into their work and specifically their latest album entitled Perihelion, which is named after an astronomical point when our earth is closest to the sun during its yearly orbit. For the duo, perihelion also signifies the “burning off of artifice and unconsciousness”, noting its metaphorical parallel to a process of enlightenment.
Blending ambient-world and contemporary instrumental motifs, the duo variably showcase numerous instruments throughout, with Jewer performing on several woodwind and brass instruments while Mitran plays an array of keyboards and global percussion. Guest musicians include Miriam Stockley (vocals), Erik Scott (bass), Michelle Qureshi (acoustic, electric and slide guitar), Sherry Finzer (alto and bass flute), Peter Phippen (shakuhachi), Bob Lizik (bass), Richard Gannaway (bouzouki), Biff Blumfumgagnge (violin), Lisa Downing (piano) and Ian Maksin (cello).
Resulting in a congruous melding of the traditional and old-world with the contemporary and technological, the overall sound feels both earthy and grounded yet dreamlike and transcendental.
Listeners familiar with Erik Scott’s work will immediately recognize his signature bass licks on the opening “Gathering Heart”, a rhythmic and lively piece which effectively signals the starting point of an exciting journey ahead. My absolute favorite piece herein is the more ethno-ambient styled “Awakening”, which employs beautifully hypnotic poly-rhythms consisting of bells, hang, djembes and talking drum. Further topping it off is Peter Phippen on Shakuhachi, a Japanese flute accompanied here by other woodwind instruments. A warmly shimmering piece that I simply never tire of, this one always makes me think of being on an exotic safari and watching the sun set through the trees. The aptly-named “Full Circle” serves as a mesmerizing closure to the album, and also symbolically marks the earth’s completion of its journey around the sun. Intentionally meditative, both Native-style and silver flutes gently lead the piece in tandem with soothing violin amid beautiful bell-tones and electro-atmospherics of which seemingly convey misty twilight imagery.
Notably echoing aspects of the duo’s previous Transmigration and Two Trees albums, their lush soundscapes often paint mental images of either Southwest American deserts or African jungles and wildlife, depending on the piece. Likewise accompanied by stunning cover and inlay artwork depicting earth-space photographs, the album’s images further help to convey an appreciation of nature, culture and human potential that’s seemingly reflected in these pristine musical environments. Another outstanding effort from Al Jewer and Andy Mitran, Perihelion is guaranteed to find much appeal, especially, among many fans of both ambient and world music! ~Candice Michelle
For more information please visit the artist's website. This album is also available on Amazon, iTunes, and other music retailer & streaming platforms.
Blending ambient-world and contemporary instrumental motifs, the duo variably showcase numerous instruments throughout, with Jewer performing on several woodwind and brass instruments while Mitran plays an array of keyboards and global percussion. Guest musicians include Miriam Stockley (vocals), Erik Scott (bass), Michelle Qureshi (acoustic, electric and slide guitar), Sherry Finzer (alto and bass flute), Peter Phippen (shakuhachi), Bob Lizik (bass), Richard Gannaway (bouzouki), Biff Blumfumgagnge (violin), Lisa Downing (piano) and Ian Maksin (cello).
Resulting in a congruous melding of the traditional and old-world with the contemporary and technological, the overall sound feels both earthy and grounded yet dreamlike and transcendental.
Listeners familiar with Erik Scott’s work will immediately recognize his signature bass licks on the opening “Gathering Heart”, a rhythmic and lively piece which effectively signals the starting point of an exciting journey ahead. My absolute favorite piece herein is the more ethno-ambient styled “Awakening”, which employs beautifully hypnotic poly-rhythms consisting of bells, hang, djembes and talking drum. Further topping it off is Peter Phippen on Shakuhachi, a Japanese flute accompanied here by other woodwind instruments. A warmly shimmering piece that I simply never tire of, this one always makes me think of being on an exotic safari and watching the sun set through the trees. The aptly-named “Full Circle” serves as a mesmerizing closure to the album, and also symbolically marks the earth’s completion of its journey around the sun. Intentionally meditative, both Native-style and silver flutes gently lead the piece in tandem with soothing violin amid beautiful bell-tones and electro-atmospherics of which seemingly convey misty twilight imagery.
Notably echoing aspects of the duo’s previous Transmigration and Two Trees albums, their lush soundscapes often paint mental images of either Southwest American deserts or African jungles and wildlife, depending on the piece. Likewise accompanied by stunning cover and inlay artwork depicting earth-space photographs, the album’s images further help to convey an appreciation of nature, culture and human potential that’s seemingly reflected in these pristine musical environments. Another outstanding effort from Al Jewer and Andy Mitran, Perihelion is guaranteed to find much appeal, especially, among many fans of both ambient and world music! ~Candice Michelle
For more information please visit the artist's website. This album is also available on Amazon, iTunes, and other music retailer & streaming platforms.
Artist Spotlight: An Interview with Lena Natalia
We’re excited to present an audio interview with Chicago-based composer Lena Natalia. Possessing a signature sound and style that could be described as ‘minimalist classical meets ambient piano’, she released her fifth album last year titled Lonely Satellite, which was named one of the top 25 albums of 2018 on Journeyscapes. In this segment, we’ll learn more about Lena Natalia, as well as her inspiration for Lonely Satellite. So please tune-in for a casual yet insightful conversation about music, the moon, and her muse!
Subscribe to:
Posts (Atom)