Review by Lissette Cascante
Marya Stark is a vocalist, composer, storyteller, songwriter, performer, and multi-instrumentalist who seems to have mastered the art of transforming herself into many muses or goddesses through her music, dramatic style, and lyrics.
In this context, her latest album, Sapphire, a collaboration with Joshua Penman of Akara consisting of 10 songs, tells the story of an intimate and mystical journey of heart exploration and renascence bringing into play the many stages and emotions experienced in one’s earthly or other-worldly existence.
“Sapphire”, the title of the album and of the fourth track, was a deliberate and conscious choice. The precious gemstone gets its name from the Latin and Greek word for blue and is believed by many to emanate energies that help bring peace and harmony to the wearer. The album compositions with its lush vocals, engaging lyrics, organic and digital instrumentations, and masterful arrangements of strings, acoustic guitar, piano, horn, drums, and percussion, seem to do just that as the dreamy and lively tunes succeed in infusing indie folk and dream-pop styles with ethereal and elevated substance.
The album begins with “Echo”, a beautiful and fluttering song of love and luminous stars amidst a backdrop of strings and piano. We dance with the Northern Lights in “Stargazer” in pursuit of mysteries and deeper meaning.
Beautiful vocal work and soft flowing guitar caress the listening ear as the lovely and catchy chorus of “In Between” carries this piece; a favorite of mine since first hearing the song and viewing its accompanying lyric video online.
“Blood of the Stones” presents a luminescent piano sound along with Marya’s exquisite high vocals which lead into an arrangement of guitar and drums creating images of intensity and passion.
More sublime musical aesthetics and vibrant lyrics present in the songs that follow such as in “Celestial Butterflies” where guitar and cello dance around each other in a world music environment leading the listener to diverse landscapes.
“Negra Luz” with its beautiful Spanish lyrics has a mystical intro and echoey bells encouraging the listener to reach a harmonic balance between darkness and light, pain and joy, in this musical passage.
Each song on the album seems to radiate an aura of wonder, mystery, and magic. Sapphire is truly a delightful escape from the cares of the present world; a musically resplendent listening experience sure to calm the soul and brighten any day.
~Lissette Cascante for Journeyscapes Radio
For more information, please visit Marya Stark's website. Sapphire is also available at Amazon, Bandcamp and more.
Friday, August 13, 2021
Sunday, August 8, 2021
Journeyscapes DJ Set: Mil Pensamientos 3
A sultry mix of Latin chill & Balearic ambience!
ARTIST / TRACK TITLE / ALBUM-EP-SINGLE
Nicholas Gunn & Johannes Linstead / To the Sea / Encanto
Villa Dayze / Sangria Nights / Sangria Nights
David Lyndon Huff & Jack Jezzro / Night in Bolivia / Worldbeat Brazil
Eric Hilton / Alma de Lisboa / The Impossible Silence
La Estación Del Mar / Sol de los Andes / Landscapes
Vargo / The Moment (Short Chorus Edit) / Beauty
Chicane / Already There / Far from the Maddening Crowd
B-Tribe / Ahoy Ahoy / Sensual Sensual
Nicholas Gunn / Ibiza Sunset / Riding the Thermals
Jose Padilla / Que Bonito / Café Del Mar Volumen Cuatro
Lebensart / Enigmatic Chiller (Mystic Guitar Chill Mix) / The Forest Chill Lounge
Monica Ramos / Eternidad (The Eternity) / Moai
Achillea / A Maria Santissima / Amadas Estrellas
Nicholas Gunn / My Body is a Temple / Sound Condition
Journeyscapes DJ Set: Vision Quest
A spacious mix of healing flute & ethno-tribal atmospheres!
ARTIST / TRACK TITLE / ALBUM TITLE
Bodhi / Every Breath / Deep Dream
Douglas Blue Feather / Finding Peace / Ascension
Cornell Kinderknecht & Martin McCall / Big Sky / Dreamtime
Kenneth Hooper / Graceful Expanse / Directions
Suzanne Teng & Gilbert Levy / Andromeda / Autumn Monsoon
Jonny Lipford / Sun Salutation / Balance
Sherry Finzer / Tempest / Renewal
R. Carlos Nakai & Will Clipman / Endless Journey / Awakening the Fire
Byron Metcalf & Jennifer Grais / The Air We Breathe / They Were Here
Dean Evenson, Scott Huckabay & Phil Heaven / Remarkable Formations / Healing Resonance
Journeyscapes DJ Set: Biotic Worlds 4
A luminescent mix of organic ambient electronics!
ARTIST / TRACK TITLE / ALBUM TITLE
The Orb / Valley / Orbvs Terrarvm
Loren Nerell / Return to the Temple of the Frog / The Gong Prophet
Jarguna & Uzbazur / Black Vapor / Sublimation
Jose Padilla / Solito / So Many Colors
Forrest Fang / Tale of the Egret / The Book of Wanderers
Erik Wøllo / The Presence of Future / Recurrence
Biome / Return to the Source / Essence
Journeyscapes DJ Set: Electric Dreams 2
A smooth lounge mix featuring liquid chill guitars!
ARTIST / TRACK / ALBUM-EP-SINGLE
ELEON ft. Jeff Pearce / Floating Just Above You / Floating Just Above You
Nicholas Gunn / Shine / Sound Condition
La Estacion del Dar & Albert Candela / Deeper than the Ocean / Unno
Majestica / How Does it Feel? / In the Midst of Stars
Schiller & Mike Oldfield / Morning Dew / Day and Night
Mythos / Progression / XXV
Doug Blair / Between Two Worlds / Of Dreams and Fantasy
David Helpling / Free Dive / RUNE
Ken Verheecke / Breathe / Tripping the Light Fantastic
Tsode ft. David Clavijo / Sunday Sun / The Quiet Music, The Sonorous Loneliness
David Wright / The Lost Colony / The Lost Colony
Thursday, August 5, 2021
Album Review: Starway to Nirvana by Samir Bodhi
Review by Abdul Yamani
Recording and producing under his artist’s name, guitarist, composer, producer and recording engineer Samir Bodhi has released his début album in the World/New Age genre titled Stairway to Nirvana in which the Indian-born resident of Southern California, masterfully fuses Eastern (Indian) classical music and instruments with modern Western styles.
An accomplished and internationally recognized scientist and scholar, with a PhD in Computer Science under his real name Samir Chatterjee, he skillfully applies his expertise in academia to his work as a musical artist. “I feel I have quite a bit of creativity in me and part of it manifests through my academic research and the other via my musical outlets”, says Bodhi.
Samir and his ensemble of exceptionally talented and successful performers and musicians, delicately craft a melodic, rhythmic, and spiritually transcendent album that offers a musical roadmap to peace and serenity in these troubled times.
Samir expresses his purpose for the album with words of gratefulness and compassion: “Stairway to Nirvana is a project that fulfills my vision for creating beautiful music that brings serenity and enlightenment to people of all cultures. I am indebted to my incredible collaborators for blessing me with their tremendous talent and unique ideas. Music has the power to be a great healer of the body, mind and spirit, and beyond providing a meaningful listening experience, I would love this album to serve as a healing agent for people during this challenging time in world history.”
Embellished throughout with haunting melodies, exquisite vocals, electric guitar, hypnotic sounds of the sitar and synth-generated droning, against a backdrop of flowing rhythms, earthy percussion and messages of peace, Stairway to Nirvana gently invites us to ascend a musical ladder by which we reach a state of transition and completeness, or “nirvana”, through music and meditation in which all external influences seem to disappear; separating the listener from the physical world as the listening experience seems to charge the soul with pure and transporting energy. Samir weaves a delicate thread that crosses from loss and pain, to joy, tranquility, and peace.
In "Tranquility", the first track on the album, the flute collaborates with the sitar and beautiful stringed arrangements, gently offering you space to reflect outside of the noise and chaos of the present world. Samir chose to make the flute the center and heart of the melody, attracting you to an interesting dialogue between flute and flowing rhythm.
"OM" like a sacred symbol is a sacred sound which introduces you to an esoteric, meditative experience. The vocals are mesmerizing; almost entrancing.
"Harmony", my favorite piece on the album, is where Eastern and Western styles masterfully intertwine; its profound, deep tones of electric guitar and bass combine with sitar and piano to lure the listener into a sultry, down-tempo harmonic exploration of the senses that dazzlingly recalls the music of Bombay Dub Orchestra.
In the track that follows we move gently to the path of “Peace” we all seek, accompanied by guitar and western influences, in this enchanting melody beautifully sung by Madhumita Chatterjee, Samir’s wife and renown Bollywood singer.
The final track “Nirvana” mystically transports the listener through the journey of life with its joys and sorrows to our ultimate destination of true enlightenment and eternal bliss.
Listening to and reviewing this album was an indescribable pleasure. The music truly conveys a state of tranquility, harmony, and peace.
We thank Samir Bodhi and his friends for this beautiful album, and eagerly await his future artistic releases. To learn more about this incredible artist, please visit his website at SamirBodhi.com.
~Abdul Yamani for Journeyscapes Radio
Stairway to Nirvana is also available at Amazon, iTunes and more.
Recording and producing under his artist’s name, guitarist, composer, producer and recording engineer Samir Bodhi has released his début album in the World/New Age genre titled Stairway to Nirvana in which the Indian-born resident of Southern California, masterfully fuses Eastern (Indian) classical music and instruments with modern Western styles.
An accomplished and internationally recognized scientist and scholar, with a PhD in Computer Science under his real name Samir Chatterjee, he skillfully applies his expertise in academia to his work as a musical artist. “I feel I have quite a bit of creativity in me and part of it manifests through my academic research and the other via my musical outlets”, says Bodhi.
Samir and his ensemble of exceptionally talented and successful performers and musicians, delicately craft a melodic, rhythmic, and spiritually transcendent album that offers a musical roadmap to peace and serenity in these troubled times.
Samir expresses his purpose for the album with words of gratefulness and compassion: “Stairway to Nirvana is a project that fulfills my vision for creating beautiful music that brings serenity and enlightenment to people of all cultures. I am indebted to my incredible collaborators for blessing me with their tremendous talent and unique ideas. Music has the power to be a great healer of the body, mind and spirit, and beyond providing a meaningful listening experience, I would love this album to serve as a healing agent for people during this challenging time in world history.”
Embellished throughout with haunting melodies, exquisite vocals, electric guitar, hypnotic sounds of the sitar and synth-generated droning, against a backdrop of flowing rhythms, earthy percussion and messages of peace, Stairway to Nirvana gently invites us to ascend a musical ladder by which we reach a state of transition and completeness, or “nirvana”, through music and meditation in which all external influences seem to disappear; separating the listener from the physical world as the listening experience seems to charge the soul with pure and transporting energy. Samir weaves a delicate thread that crosses from loss and pain, to joy, tranquility, and peace.
In "Tranquility", the first track on the album, the flute collaborates with the sitar and beautiful stringed arrangements, gently offering you space to reflect outside of the noise and chaos of the present world. Samir chose to make the flute the center and heart of the melody, attracting you to an interesting dialogue between flute and flowing rhythm.
"OM" like a sacred symbol is a sacred sound which introduces you to an esoteric, meditative experience. The vocals are mesmerizing; almost entrancing.
"Harmony", my favorite piece on the album, is where Eastern and Western styles masterfully intertwine; its profound, deep tones of electric guitar and bass combine with sitar and piano to lure the listener into a sultry, down-tempo harmonic exploration of the senses that dazzlingly recalls the music of Bombay Dub Orchestra.
In the track that follows we move gently to the path of “Peace” we all seek, accompanied by guitar and western influences, in this enchanting melody beautifully sung by Madhumita Chatterjee, Samir’s wife and renown Bollywood singer.
The final track “Nirvana” mystically transports the listener through the journey of life with its joys and sorrows to our ultimate destination of true enlightenment and eternal bliss.
Listening to and reviewing this album was an indescribable pleasure. The music truly conveys a state of tranquility, harmony, and peace.
We thank Samir Bodhi and his friends for this beautiful album, and eagerly await his future artistic releases. To learn more about this incredible artist, please visit his website at SamirBodhi.com.
~Abdul Yamani for Journeyscapes Radio
Stairway to Nirvana is also available at Amazon, iTunes and more.
Monday, June 14, 2021
New Release: Future Shock by Michael Whalen
Review by Lissette Cascante
These days it seems nothing shocks us anymore. Still, good surprises are always welcome. Seasoned recording artist Michael Whalen’s newly released album of all original compositions is like opening a box of good and fun surprises.
Michael’s impressive, time-tested, and multi-faceted career in music, and his impactful contribution to the industry as composer, producer, Emmy Award winner, pianist extraordinaire including but not limited to his early new age compositions for labels such as Narada and Windham Hill are extensively and favorably written about in countless outlets and websites of many reviewers and publications. His music and interviews are featured on a wide variety of platforms.
In his latest recording creatively titled Future Shock, perhaps his most ambitious project to date, Michael pushes the boundaries of musical experimentation and challenges us to expand our vision beyond the confines of genre classification taking us into many spherical directions.
Future Shock is an energetic and uplifting wild menagerie of funk, jazz fusion, world, techno, instrumental jazz and nu-jazz with transitional elements of 70’s progressive rock. The album has an edgy, celebratory feel throughout, like a live outdoor festival concert.
For the project’s synergistic style and sound, Michael, who plays all keyboards, synthesizers, and electronic percussion on the album, assembled a fantastic team of incredibly talented and accomplished musicians, such as Bob Magnuson who lends his unique expressions on Saxophones, flute and shehnai, Simon Phillips, with incredible performances on drums and additional percussion, and Tony Levin sharing his outstanding talents on guitar, electric and upright Bases and Chapman Stick. Michael composed, arranged, programmed, and mixed all the tracks on the album.
The album kicks off with a blast as Michael takes the listener on a time-warp through musical styles. Starting the title track, he cleverly weaves a neon tapestry of psychedelic synth sounds and futuristic rhythms against a fluorescent backdrop of explosive drum work and base creating a blend of psychedelia elements reminiscent of the 60’-70’s rock group Emerson, Lake and Palmer whose influence Michael credits with inspiration. For me it also recalled the sound of Metro, an early 1990’s jazz-fusion band co-founded by the late great Chuck Loeb, one of my favorite jazz artists who incidentally was also a member of the 80’s group Steps Ahead which Michael mentions in his overview of the album as being an influence in his love of fusion.
The party continues with a funky rhythm in “Hop, Skip and Jump” as Whalen’s “groove-based” synth arrangements, Magnuson’s saxophone versatility and Phillips’ drum intensity masterfully conspire to blur the line between jazz and rock.
You will want to move to the breezy Latin rhythm of “La Hermosa Noche” the album’s third track, a very warm and spicy improvisation with a festive, bohemian feel. I found this cut as well as the fifth track “Memories of You” incredibly beautiful and almost reminiscent of some of The Rippingtons’ Latin-infused songs like “One Summer Night in Brazil.”
“Lights of Home” creates a sense of yearning for the familiar. This beautiful gem seems to emphasize lyrics are not needed as its slow, emotive saxophone-encased ballad and exquisite crystal-clear piano brilliance allow the melody to carry the imagination to its desired destination.
The pace heats up again as “Poly Jam” transports us back to the “trippy” side of things with its seemingly, disparate elements of sound, synthesizers, and deep-toned bass. Heavy drums drive the piece as a mystifying, sultry saxophone introduced at the end brings a sort of down-tempo calm to the finale.
Other positive mood-enhancers on the album are “Miracle Mile” with its lively tropical, smooth jazz vibes, and “Morning Song” with its cheerful tune creates a bright place of contentment, while “Wanderlust” is enjoyably fast-paced and dynamic, with elaborate chord progressions and full of fantastic busy rhythms that will have you toe-tapping in no time.
Beautiful saxophone and piano come together in the album’s last song “Your Eyes, Your Touch, Your Kiss” breathing romance and desire into its powerfully seductive, sexy, and hypnotic melody. It features repetitive notes throughout sprinkled with spicy saxophone segments, while a sublimely played, multi-layered bluesy piano builds climactic impetus then politely allows the sax to lead us softly to our reverie’s end with a feeling of sweet surrender.
Future Shock is like a time-warp of musical styles and sound; a surefire way to uplift your day no matter what may be happening around you.
If you are new to Michael’s music, I would like to recommend you go to his website where you can find more information on his background, recordings, and projects.
~Lissette Cascante for Journeyscapes Radio
Future Shock is also available at Amazon, iTunes and more.
These days it seems nothing shocks us anymore. Still, good surprises are always welcome. Seasoned recording artist Michael Whalen’s newly released album of all original compositions is like opening a box of good and fun surprises.
Michael’s impressive, time-tested, and multi-faceted career in music, and his impactful contribution to the industry as composer, producer, Emmy Award winner, pianist extraordinaire including but not limited to his early new age compositions for labels such as Narada and Windham Hill are extensively and favorably written about in countless outlets and websites of many reviewers and publications. His music and interviews are featured on a wide variety of platforms.
In his latest recording creatively titled Future Shock, perhaps his most ambitious project to date, Michael pushes the boundaries of musical experimentation and challenges us to expand our vision beyond the confines of genre classification taking us into many spherical directions.
Future Shock is an energetic and uplifting wild menagerie of funk, jazz fusion, world, techno, instrumental jazz and nu-jazz with transitional elements of 70’s progressive rock. The album has an edgy, celebratory feel throughout, like a live outdoor festival concert.
For the project’s synergistic style and sound, Michael, who plays all keyboards, synthesizers, and electronic percussion on the album, assembled a fantastic team of incredibly talented and accomplished musicians, such as Bob Magnuson who lends his unique expressions on Saxophones, flute and shehnai, Simon Phillips, with incredible performances on drums and additional percussion, and Tony Levin sharing his outstanding talents on guitar, electric and upright Bases and Chapman Stick. Michael composed, arranged, programmed, and mixed all the tracks on the album.
The album kicks off with a blast as Michael takes the listener on a time-warp through musical styles. Starting the title track, he cleverly weaves a neon tapestry of psychedelic synth sounds and futuristic rhythms against a fluorescent backdrop of explosive drum work and base creating a blend of psychedelia elements reminiscent of the 60’-70’s rock group Emerson, Lake and Palmer whose influence Michael credits with inspiration. For me it also recalled the sound of Metro, an early 1990’s jazz-fusion band co-founded by the late great Chuck Loeb, one of my favorite jazz artists who incidentally was also a member of the 80’s group Steps Ahead which Michael mentions in his overview of the album as being an influence in his love of fusion.
The party continues with a funky rhythm in “Hop, Skip and Jump” as Whalen’s “groove-based” synth arrangements, Magnuson’s saxophone versatility and Phillips’ drum intensity masterfully conspire to blur the line between jazz and rock.
You will want to move to the breezy Latin rhythm of “La Hermosa Noche” the album’s third track, a very warm and spicy improvisation with a festive, bohemian feel. I found this cut as well as the fifth track “Memories of You” incredibly beautiful and almost reminiscent of some of The Rippingtons’ Latin-infused songs like “One Summer Night in Brazil.”
“Lights of Home” creates a sense of yearning for the familiar. This beautiful gem seems to emphasize lyrics are not needed as its slow, emotive saxophone-encased ballad and exquisite crystal-clear piano brilliance allow the melody to carry the imagination to its desired destination.
The pace heats up again as “Poly Jam” transports us back to the “trippy” side of things with its seemingly, disparate elements of sound, synthesizers, and deep-toned bass. Heavy drums drive the piece as a mystifying, sultry saxophone introduced at the end brings a sort of down-tempo calm to the finale.
Other positive mood-enhancers on the album are “Miracle Mile” with its lively tropical, smooth jazz vibes, and “Morning Song” with its cheerful tune creates a bright place of contentment, while “Wanderlust” is enjoyably fast-paced and dynamic, with elaborate chord progressions and full of fantastic busy rhythms that will have you toe-tapping in no time.
Beautiful saxophone and piano come together in the album’s last song “Your Eyes, Your Touch, Your Kiss” breathing romance and desire into its powerfully seductive, sexy, and hypnotic melody. It features repetitive notes throughout sprinkled with spicy saxophone segments, while a sublimely played, multi-layered bluesy piano builds climactic impetus then politely allows the sax to lead us softly to our reverie’s end with a feeling of sweet surrender.
Future Shock is like a time-warp of musical styles and sound; a surefire way to uplift your day no matter what may be happening around you.
If you are new to Michael’s music, I would like to recommend you go to his website where you can find more information on his background, recordings, and projects.
~Lissette Cascante for Journeyscapes Radio
Future Shock is also available at Amazon, iTunes and more.
Thursday, June 3, 2021
New Release: Revelation by Kelly Andrew
Review by Lissette Cascante
Acclaimed composer and recording artist Kelly Andrew has received world-wide recognition and prestigious awards for his numerous compositions in various genres and styles ranging from EDM, world, pop, jazz, contemporary instrumental, to epic orchestral music for TV and Film movie trailers. It is obvious that Andrew enjoys influencing listeners around the world with his musical creations. His previous 5 albums Olympus, Reflections, Epoch Dawn, Journey, and Rendezvous showcased his musicianship and elicited rave reviews from listeners of many backgrounds.
With great anticipation I awaited the release of his new album Revelation which was several years in the making. The album release was worth the wait as the music captivated and engaged me from the start. For me, the listening experience took me to worlds within our world.
Revelation is like watching a movie, except in this movie you get to be the star. It is an expedition of the senses and the soul to a place or places you imagine, with the composer, Andrew, as our guide and director. The purpose of the journey is unique to each individual.
“Revelation” opens slowly, as if preparing the listener for the story that is about to unfold; building intensity as the listener’s journey begins. Symphonic orchestrations and strong vocals throughout allow the listener to create their own experience. The clever song titles reveal clues of what we might encounter along the way. The third track “Spark of Life” offers a fantasy-like scene infused with dramatic sequences while the fourth track exudes compassion for “Humanity” and all its complexities. A flute comes in unexpectedly, drums and percussion convey a sense of wonder and discovery as indigenous sounds and vocals interspersed serve to bring our picture into focus.
Dramatic and suspenseful scenes unfold in tracks like “Escape”, “Manifesto”, “Material Sons”, “Sage of Salem”, and "Rebellion" with its defiant electronic infused sounds, conjure up images of dangerous encounters, battles for survival, enduring hardships, strange lands, friendship and larger than life beings.
“Onagar”, with its beautiful introduction, has an almost ambient-like, world sensation. Native flute and drums transport us to faraway lands, as we trace the footsteps of past civilizations. While “Arrival” implied for me a sort of cave-like environment with its mysterious echoes and vibrations which lead to a more aggressive and excited crescendo of wind and stringed instruments, powerful drums, and a dramatic, “cliffhanger” ending.
Flute, harp, cello, quiet strings, and soft waltz rhythms in "Days of Van", invite us to rest after the battle, and regain our strength. As we continue our solitary sojourn we discover “The Garden”; an exquisite blend of vocals and orchestral instruments creates a magical moment where light and hope meet and kiss.
“Regret” begins with a haunting, sprinting piano melody which builds up powerfully with choirs and strings. High-pitched vocals convey inner torment with strings and drums supporting the emotions giving way to ultimate surrender. “Veil of Tears” is a short but sad, slow piano melody, enhanced by beautiful string arrangements as symbolic piano “tears” heal the soul.
“Samaria” is my favorite track on the album. This magnificent piece begins with an ethereal but earthy sound experience as a transporting, melancholy, duduk-led melody challenges our emotions and speaks to our innermost passions.
We arrive at our final destination with “Divine Embrace”. Reconciling with the past present and future. Discovering the truth of our existence, embracing the Divine and finding true peace.
A musical masterpiece for the inquisitive and adventurous imagination…
~Lissette Cascante for Journeyscapes Radio
To get this album please visit Kelly Andrew's website. His music is also available through Amazon, iTunes and more.
Acclaimed composer and recording artist Kelly Andrew has received world-wide recognition and prestigious awards for his numerous compositions in various genres and styles ranging from EDM, world, pop, jazz, contemporary instrumental, to epic orchestral music for TV and Film movie trailers. It is obvious that Andrew enjoys influencing listeners around the world with his musical creations. His previous 5 albums Olympus, Reflections, Epoch Dawn, Journey, and Rendezvous showcased his musicianship and elicited rave reviews from listeners of many backgrounds.
With great anticipation I awaited the release of his new album Revelation which was several years in the making. The album release was worth the wait as the music captivated and engaged me from the start. For me, the listening experience took me to worlds within our world.
Revelation is like watching a movie, except in this movie you get to be the star. It is an expedition of the senses and the soul to a place or places you imagine, with the composer, Andrew, as our guide and director. The purpose of the journey is unique to each individual.
“Revelation” opens slowly, as if preparing the listener for the story that is about to unfold; building intensity as the listener’s journey begins. Symphonic orchestrations and strong vocals throughout allow the listener to create their own experience. The clever song titles reveal clues of what we might encounter along the way. The third track “Spark of Life” offers a fantasy-like scene infused with dramatic sequences while the fourth track exudes compassion for “Humanity” and all its complexities. A flute comes in unexpectedly, drums and percussion convey a sense of wonder and discovery as indigenous sounds and vocals interspersed serve to bring our picture into focus.
Dramatic and suspenseful scenes unfold in tracks like “Escape”, “Manifesto”, “Material Sons”, “Sage of Salem”, and "Rebellion" with its defiant electronic infused sounds, conjure up images of dangerous encounters, battles for survival, enduring hardships, strange lands, friendship and larger than life beings.
“Onagar”, with its beautiful introduction, has an almost ambient-like, world sensation. Native flute and drums transport us to faraway lands, as we trace the footsteps of past civilizations. While “Arrival” implied for me a sort of cave-like environment with its mysterious echoes and vibrations which lead to a more aggressive and excited crescendo of wind and stringed instruments, powerful drums, and a dramatic, “cliffhanger” ending.
Flute, harp, cello, quiet strings, and soft waltz rhythms in "Days of Van", invite us to rest after the battle, and regain our strength. As we continue our solitary sojourn we discover “The Garden”; an exquisite blend of vocals and orchestral instruments creates a magical moment where light and hope meet and kiss.
“Regret” begins with a haunting, sprinting piano melody which builds up powerfully with choirs and strings. High-pitched vocals convey inner torment with strings and drums supporting the emotions giving way to ultimate surrender. “Veil of Tears” is a short but sad, slow piano melody, enhanced by beautiful string arrangements as symbolic piano “tears” heal the soul.
“Samaria” is my favorite track on the album. This magnificent piece begins with an ethereal but earthy sound experience as a transporting, melancholy, duduk-led melody challenges our emotions and speaks to our innermost passions.
We arrive at our final destination with “Divine Embrace”. Reconciling with the past present and future. Discovering the truth of our existence, embracing the Divine and finding true peace.
A musical masterpiece for the inquisitive and adventurous imagination…
~Lissette Cascante for Journeyscapes Radio
To get this album please visit Kelly Andrew's website. His music is also available through Amazon, iTunes and more.
Tuesday, May 11, 2021
Journeyscapes DJ Set: Café Estrella
An after-hours mix of sensuous Balearic chill! Please support the artists in this set by following the song/album links below.
Artist Name / Track Title / Album Title
Jens Buchert / Frog Beats 21 / Dawnrider
Airstream / I’ve Been Watching You (Deep Space Cut) / Weightless & Smooth
Lars Leonhard / Chthonian Planet / Spaceflight
DJ Maretimo / Café Internacional (Erotic House Cut) / Beach Grooves Maretimo, Vol. 3
Sean Hayman / Slight Breeze (Over the Clouds Cut) / Rhapsody in Chill
Café Americaine / Bistro Bizarre (Behind Closed Doors Cut) / Best of Del Mar, Vol. 8
Cocogroove / Dubai Sands (Oriental Fly Cut) / Buddha Gold, Vol. 4
Nicholas Gunn / Sound Condition / Sound Condition
Frank Borell / Miramane (Full Relaxed Mix) / Voyage Mystique
Eric Hilton / La Nuit / The Impossible Silence
The Smooth Commander / Bluezone Lounge (Bossa Space Cut) / Bluezone Lounge
Cinematic / Magic Moments (Waveglider Mix) / Spring Lounge 2021
Eric Hilton / La Nuit / The Impossible Silence
The Smooth Commander / Bluezone Lounge (Bossa Space Cut) / Bluezone Lounge
Cinematic / Magic Moments (Waveglider Mix) / Spring Lounge 2021
Thursday, April 22, 2021
Journeyscapes Interviews Lisa Reagan of SHUNIA
On this special Earth Day, we’re delighted to present a lovely conversation with Lisa Reagan of the musical duo Shunia!
Also comprised of singer Suzanne Jackson, Shunia are joined throughout by contributing international musicians and vocalists on their new self-titled sophomore album, which blends mystical mantras and sacred chants with polycultural rhythms and meditatively lush musical arrangements.
Music from Shunia’s latest album Shunia and their previous album Ascend can be heard throughout this interview.
For more information, please visit the artist’s website.
Tuesday, April 20, 2021
Journeyscapes DJ Set: Earth Trek 4
A global ambient chillout mix for Earth Day! Please support the artists in this set by following the song/album links below.
Artist Name / Track Title / Album Title
Le Voyage / La Mer (blue horizon mix) / Spring Lounge 2021
Beautiful World / In Existence / In Existence
Rising Sun / Deep Forest / Deep Forest
Eguana / Call of the Wind / Flawless Nature
Essa 3 / Sundial / Sky Dancing: Nada Masala vol. 3
Ayla / Angelfalls (particular beach) / York: Planet Chill, vol. 1
Oliva / Wonder World / Wonder World
Blue Is Nine / Satellites / A Different Light
Quinn / In a Perfect World / Ecstasy in Avila
The Haiku Project feat. Sarah Grabow / Creation / Nebula
Saturday, April 10, 2021
Journeyscapes DJ Set: Atlantis Calling 2
A trance-ambient / maritime chillout mix! Please support the artists in this set by following the song/album links below.
Artist Name / Track Title / Album Title
Nicholas Gunn / Flow / Sound Condition
Dreaming Cooper / Crystal Cave / Mysterious Places
S1gns Of L1fe / Genetic Memory / The Age of Cymatics
Biome / Walk Among the Crystal Tides / Essence
Echo Season / Between / Solarmetric
Mark Dwane / Aquatic Alchemy / Atlantean Apparitions
Sylvain Carel / Blue is the Color / Atlantide
Alpha Wave Movement / Garden of Memories / Echoes in the Vacuum
Time Traveler / Casper’s Cove / Sky Falter
Monday, March 29, 2021
PGM 294: Sacred Visions
A transcendently ethereal and meditative mix for holy week – dedicated to the legacy of the late new age/ambient/space music composer & artistic visionary Constance Demby, who left this plane on March 20th, 2021.
Artist Name / Track Title / Album Title
Constance Demby / St. Francis Prayer / Skies Above Skies
VocaMe / Spiritus Sanctus / Inspiration (Hildegard von Bingen: Lieder und Visionen)
Sherry Finzer / Searching / Renewal
Constance Demby / Deep Mother / Attunement
Steve Roach & Serena Gabriel / Glow of Light / Temple of the Melting Dawn
Mediaeval Baebes / Fatima Prayer / Prayers of the Rosary
Forrest Smithson / Halo Waves / Dieux
Jeff Pearce / Cathedral Light / Archive 1: Songs for the Gathering
Constance Demby / Gateway / Sanctum Sanctuorum
Paul Avgerinos / State of Grace / Healing
Constance Demby / Part 1 - Faces of the Christ / Faces of the Christ
Monday, March 15, 2021
PGM 293: Celtic Reveries 7
Another ethereal/ambient/chill mix for St. Patrick's Day inspired by landscapes & legends of the Emerald Isle!
Artist Name / Track Title / Album Title
Eamonn Karran / Mac Lir / I’ll Be With You
Emer Kenny / Cast A Spell / Parting Glass
Marcomé / Time to Follow / Seven Seas
Moya Brennan / Nuair a Bhí Óg / Canvas
Ronan Hardiman / Celtic Dream / Lord of the Dance
Entheogenic / Algonquin (Celtic Mix) / Dreamtime Physics
David Arkenstone / The Girl with the Midnight Hair / Celtic Chillout
2002 / Castle of Dromore / Celtic Fairy Dream
Ashley Davis / Banquet / Songs of the Celtic Winter
Clannad / Atlantic Realm / In A Lifetime
Dagda / Winds of Change / Hibernia: The Story of Ireland
Enya / Exile / Watermark
Loreena McKennitt / Dante’s Prayer / The Book of Secrets
Monday, March 1, 2021
PGM 292: The Best of 2020 (Part 3 of 3)
In this episode we present the third and final portion of the top 30 albums of 2020, with another smooth, hour-long soundscape highlighting some of last year’s favorite & most notable releases!
ARTIST / TRACK TITLE / ALBUM-EP
Time Traveler / Ancient Wanderers / Sky Falter
Tigerforest / Away (ft. Aly Frank) / Discovery
Eguana / Revival Soul / No Magic
Starterra / Celestial / Celestial
Ben Blackett / Quiet Stillness / Portals
Stephanie Sante / Photonic Memories / Dark Matter Evolution
Jeff Pearce / An Isle / Archive 1: Songs for the Gathering
Bodhi / Gathering Dawn / Deep Dream
Sambox / Taman Sari / Le Son Du Miramar
Evenfall / Translucent Veils of Gold / Indigo Skies
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